Geoffrey Hill Zinger

Friday, March 6, 2015

Under Construction

No doubt it is time for an update to this page. While a major overhaul is being considered, please enjoy these few tidbits.


By Sir Geoffrey Hill

Trinity Sermon Ash Wednesday (2008)

The Tanner Lectures (2000)


Interviews

Strongholds of the Imagination (2009)

Interview with Peter McDonald on Yeats (part 7, 2012)


From the critics of his work:

Muti-lation at the End of the Line (2015)

'Difficult Friend': Geoffrey Hill and Osip Mandelstam (2013)

An Emblem of some consequence: Clavics (2013)

Clavics and Odi Barbare (2012)

Geoffrey Hill, René Girard, and the Logic of Sacrifice (2012)

Think of England (2012)

Geoffrey Hill and His Contexts (2011)

La Poésie de Geoffrey Hill et ses sources juives : Les degrés de l'écart (2011)

The Burden of Authentic Expression in the Later Poetry of Geoffrey Hill (2011)

Hearts of Stone, Feet of Clay (2011)

Ambiguity and Ethics: Fiction and Governance in Geoffrey Hill's Mercian Hymns (2011)

Otherland (2010)

Civil Voices: On Reading Geoffrey Hill Reading (2007?)

Reinvention in the Line of Death (2007)

Epanalepsis. Sobre The Triumph of Love de Geoffrey Hill (2002?)

A Mercia of the Mind (1992)




Posted by JKC at 6:37 AM
Labels: Bibliography
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Geoffrey Hill, June 18, 1932 - June 30, 2016

If there is a poet's heaven, it might well look like this  ——— But one could also make an argument that...

"How odd to think that Hill ... may be the most 'avant-garde' poet working today."
-- Patrick Kurp (2010)

Sir Geoffrey Hill in Orléans

Sir Geoffrey Hill in Orléans
with bust of Péguy


Listen to Geoffrey Hill

  • Writers at Warwick Audio Archive, May 2001
  • WBUR, 2006, Life in Poetry: An Evening with Geoffrey Hill
  • WBUR, 2003, Pinsky, Hill, Warren, Walcott, Epstein, Kaysen, Cavel
  • WBUR, 2003, Geoffrey Hill reads English Devotional Poetry
  • WBUR, 2002, Rosanna Warren & Geoffrey Hill
  • Savoirs ENS, Geoffrey Hill, April 13, 2012
  • March 18,2008, "The Storm"
  • Clutag CD, GH in Oxford, Feb 1, 2006
  • BBC, 2006, Private Passions, St. George's Day, April 23.

Read poems by Geoffrey Hill

  • From "The Triumph of Love" (1998)
  • From "Odi Barbare" (OB, 2011)
  • From "Mercian Hymns" (MH, 1971)
  • "That Man as A Rational Animal Desires the Knowledge Which is His Perfection" (ms, C,1996)
  • "Tenebrae" (T, 1978)
  • "September Song" (KL, 1968)
  • "Ovid in the Third Reich" (KL, 1968)
  • "On Seeing the Wind at Hope Mansell" (May 2006, Poetry)
  • "On Reading Crowds and Power" (March 2007, Poetry)
  • "In Ipsley Church Lane 1" (January 2006, New Criterion)
  • "Funeral Music" (KL, 1968)
  • "For Isaac Rosenberg" (1952)
  • "Epiphany at Hurcott" (January 2006, New Criterion)
  • "Coda" (December 2007, New Criterion)
  • "Citations I" (December 2007, New Criterion)
  • "Before Senility" (December 2007, New Criterion)
  • "An Apology for the Revival of Christian Architecture in England" (T, 1978 )

2013

2013

2008

2008

Invitation

If you are interested in Geoffrey Hill's poetry and criticism, be advised that there is a "Geoffrey Hill Exchange" group on Facebook.

Blog Archive

Topics you can view here...

Alan Turing Awards BH Bibliography Matters Broken Hierarchies Charles Williams Christopher Ricks Clavics Clutag Press Commitment Conferences Daybooks Democracy Difficulty Events Exhibits France Grevel Lindop Hill and other poets Interviews Kenneth Haynes Lectures Odi Barbare Oraclau Oxford Professor of Poetry podcasts Poetics Poetry Readings Poetry Wales Poetry. A Magazine of Verse Politics Reviews Robert Lowell Rowan Williams Seamus Heaney Selected Poems Shakespeare Translation(s) TV Broadcasts

About this blogger

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JKC
Jennifer Kilgore-Caradec teaches English at the University of Caen in Normandy. She is co-editor of "La poésie de Geoffrey Hill et la modernité" (L'Harmattan, 2007), "Selected Poems from Modernism to Now" (CSP, 2012), "Poetry & Religion: Figures of the Sacred" (Peter Lang, 2013), "European Voices in the Poetry of W.B. Yeats and Geoffrey Hill" (Peter Lang, 2015). Her research interests include Contemporary Poetry, British and American Literature, especially Literature in conjunction with Memory, History, Religion, and War.
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Paris, 2008

Paris, 2008
Geoffrey Hill, René Gallet, and Michael Edwards in Compagnie Bookshop (Paris, March 18, 2008)

Sir Geoffrey Hill at Villeroy

Sir Geoffrey Hill at Villeroy
At Péguy's gravesite

President ACP Claire Daudin, Sir Geoffrey Hill, Michel Péguy

International Conferences & Seminars

2008 Keble College, Oxford, "Geoffrey Hill and His Contexts"
2008 Université Paris Sorbonne-Paris IV, "British Poetry 1950-2008 and the Public/Private Divide"
2008 Université de Caen, "Selected Poems from Modernism to Now"
2007 University of Warwick, "Poets Reading Philosophy, Philosophers Reading Poetry"
2005 University of London (ESSE 8), "British & European: The Poetry of Geoffrey Hill"
2003 Université de Caen, "La Poésie de Geoffrey Hill et la modernité"
2002 Université Denis Diderot-Paris VII, "Collage, Montage, Assemblage: Poésie Anglophone"
2001 University of Warwick, "Tradition and Translation: The Work of Geoffrey Hill"

Musical Settings of Hill's Work

2005, Howard Skempton, "Three Songs for Jenny"
1997, Rodney Lister "Lachrimae Verae"
1990, Michael Hurde, "Genesis: for SATB unaccompanied / words: Geofrey Hill," London: Novello, 1990.
1986, David Matthews, "Chaconne," inspired by "Funeral Music," BBC Philharmonic Orchestra.
1981, 1984, Robin Holloway, "The Lovers' Well, Op.49"
1975, James Brown, "Cantata: Ad Incensum Lucernae"
1968, Gordon Crosse, "For the Unfallen Op.9"

Portraits of Geoffrey Hill

2007, Portrait by Gail McNeillie, (2007, Oil on Canvas, 50cmx50cm), Purchased by Emmanuel College, Cambridge.
1999, Drawing by David Levine (New York Review of Books, May 20, 1999).
1983, Portrait by Jenny Polak.


Poetic Responses

2005, Andrew Mc Neillie, "Two Sonnets for Geoffrey Hill," Clutag Poetry Leaflet no.12 [2005].
1986, Wendy Cope, "Duffa Rex" in Making Cocoa for Kingsley Amis (Faber, 1986).


Links

  • The Geoffrey Hill Server
  • Special Collections, Leeds University Library
  • Raw Light, Jane Holland on Geoffrey Hill
  • Poetry Foundation GH page
  • GH, Boston University Professors Program
  • Geoffrey Hill Study Centre
  • Geoffrey Hill at the Complete Review
  • Geoffrey Hill at the Bodleian Library, April 4, 2008
  • Dietrich Bonhoeffer Symposium at BU, 2001
  • David Levine caricature of GH

Translations

FRENCH
1982 René Gallet, 1988 René Gallet, 1989 Jacques Darras, 1998 René Gallet, 1999 René Gallet,  2002 Patrick Hersant, 2006 René Gallet.

GALICIAN
1999 Martin Veiga.

GERMAN
1983 Uwe Kolbge.

GREEK
1982 John Stathatos.

SPANISH
2003 Jordi Doce, 2004 Jordi Doce and Julián Jiménez Heffeman.

SWEDISH
1991 Lennart Nyberg.

1982

1982

2005

2005
Available on Kindle

2011

2011

2012

2012

2007

2007

Total views (counted by Blogger)

2013, Sir Geoffrey Hill at Villeroy

Following the conference "European voices in the Poetry of W.B. Yeats and Geoffrey Hill" held at the Catholic University of Paris, Sir Geoffrey Hill and Kenneth Haynes attended a commemorative ceremony for Péguy in Villeroy. (Thanks to Olivier Péguy for this film, along with his father, Michel Péguy).

Books by Geoffrey Hill

1959. For the Unfallen: Poems 1952-1958. London: André Deutsch. [Chester Springs, Pennsylvania: Dufour, 1960; London: Deutsch, 1971].
1964. Preghiere. Leeds: Northern House Pamphlet Poets.
1968. King Log. London: André Deutsch. [Chester Springs, Pennsylvania: Dufour, 1968].
1971. Mercian Hymns. London: André Deutsch.
1975. Somewhere is Such a Kingdom: Poems 1952-1971. Boston: Houghton Mifflin.
1978. Tenebrae. London: André Deutsch. [Boston: Houghton Mifflin, 1979].
1978. Brand: A Version for the Stage. London: Heinemann. [Minneapolis: University of Minnesota Press, 1981; London: Penguin, 1996].
1983. The Mystery of the Charity of Charles Péguy. London: Agenda/André Deutsch.
1984. The Lords of Limit: Essays on Literature and Ideas. London: André Deutsch.
1985. Collected Poems. London: Penguin.
1991. The Enemy’s Country: Words, Contexture, and other Circumstances of Language. Oxford: Clarendon. [Stanford, California: Stanford UP, 1991, 1995].
1994. New & Collected Poems, 1952-1992. Boston: Houghton Mifflin [reprinted 2000].
1996. Canaan. London: Penguin. [Boston: Mariner/Houghton Mifflin, 1998].
1998. The Triumph of Love. Boston: Houghton Mifflin. [London: Penguin, 1999; Poetry Book Society, 2007].
2000. Speech! Speech! Washington, D.C.: Counterpoint. [London: Penguin, 2001].
2002. The Orchards of Syon. Washington, D.C.: Counterpoint. [London: Penguin, 2002].
2003. Style and Faith. New York: Counterpoint.
2005. Scenes from Comus. London: Penguin.
2005. A Treatise of Civil Power. Clutag Press.
2006. Without Title. London: Penguin. [New Haven, Connecticut: Yale UP, 2007].
2006. Selected Poems. London: Penguin. [New Haven, Connecticut: Yale UP, 2008].
2007. A Treatise of Civil Power. London: Penguin. [New Haven, Connecticut: Yale UP, 2009].
2008. Collected Critical Writings of Geoffrey Hill. Kenneth HAYNES (ed.), Oxford: OUP.
2010. Oraclau / Oracles. Thame: Clutag.
2011. Clavics. London: Enitharmon Press.
2013. Broken Hierarchies, Poems 1952-2012. Oxford University Press.

Other Works by Geoffrey Hill: poems, articles, interviews, etc.

1951. “Country Easters,” ClockTower Magazine, Keble College, Oxford, (Trinity Term 1951), p.5.
1952. "Geoffrey Hill," Fantasy Poets 11, Oxford University Poetry Society, 1952.
1953. "Gideon at the Well," First Reading, BBC, July 1, 1953.
1954. “An Ark on the Flood,” Oxford Poetry 1954, Jonathan Price and Anthony Thwaite (eds), Oxford: Fantasy Press, 1954, p.17.
"Letter from Oxford," London Magazine 1.4 (1954) p.71-75.
1955. “Enemy of the People,” “Pennies for Charon,” Paris Review 8 (Sprng 1955), p.72-3.
“Knowing the dead...” Poetry and Audience (Leeds) 3:5 (November 11, 1955), p.
1957. "Wreaths," Poetry 90.2 (May 1957) p.80.
1958. “The Lowlands of Holland” in Bonamy Dobrée, Louis MacNeice, and Philip Larkin (eds), New Poems 1958, London: Michael Joseph, 1958, p.48.
"The Poetry of Allen Tate," Geste 3.3 (November 1958) p.8-12.
1959. "Isaac Rosenberg Exhibition at Leeds University," New Statesman 6 (June 1959) p.795.
"Four Poems," Paris Review 21 (Summer 1959) p.
1961. "The World's Proportion: Johnson's Dramatic Poetry in Sejanus and Catiline," Jacobean Theatre (1961) p.113-131.
1962. “Ovid in the Third Reich” in Patricia Beer, Ted Hughes and Vernon Scannell (eds), New Poems 1962, A P.E.N. anthology of Contemporary Poetry, London: Hutchinson, 1962, p.58.
1963. “When Violence was ceas’t, and Warr on Earth (John Milton),” Stand 6:3, (1963?), p.11
“I in Another Place. Homage to Keith Douglas,” Stand 6:4 (1963), p. 6-13.
“Robert Lowell: Contrasts and Repetitions,” Essays in Criticism 13 (April 1963) p.188- 197, reprinted in Jonathan Price (ed.), Critics on Robert Lowell, Florida: U. Miami Press, 1972, p.80-88.
1964. “Tristia: A Valediction to Osip Mandel’shtam,” Stand 7:2 (1964) p.36.
"The Dream of Reason," Essays in Criticism 14.1 (January 1964) p.91-101.
Preghiere, Northern House Pamphlet Poets, 1964.
1965. "The Leeds Poets," BBC (February 1965) with Jon Silkin, Ken Smith, Price Turner.
1966. Penguin Modern Poets 8: Edwin Brock, Geoffrey Hill, Stevie Smith, London: Penguin, 1966, p.53-82.
1967. Argo recording.
1968. "Jonathan Swift: the Poetry of 'Reaction'" in Brian Vickers (ed.), The World of J. Swift: Essays on the Tercentenary, Oxford: Basil Blackwell, 1968, p.195-212.
1969. "'The True Conduct of Human Judgement': Some Observations on Cymbeline," in D.W. Jefferson (ed.), The Morality of Art, Essays Presented to G. Wilson Knight, London: Routledge and K. Paul, 1969, p.18-32.
1972. "'The Conscious Mind's Intelligible Structure': A Debate," Agenda 9.4-10.1 (Autumn-Winter 1971-2) p.14-23.
1973. “Two Chorale-Preludes,” Stand 15:2 (1973), p.6.
"Redeeming the Time," Agenda 10.4-11.1 (Autumn-Winter 1972-3) p.87-111.
1976. "T.S. Eliot: 'Marina'" BBC 2 (April 2, 1976), TV program from Open University.
1978. "Poetry as 'Menace' and 'Atonement,'" University of Leeds Review 21 (1978) p.68-88.
The Poetry and Voice of Geoffrey Hill, SWC 1597, Harper Audio, 1978.
1979. The Poetry and Voice of Geoffrey Hill, Caedom Recording TC 1597, 1979.
1980. Interview with Blake Morrison, “Poets & Poems: Under Judgment,” January 16, 1980, in New Statesman (Feburary 8, 1980) p.212-214.
1981. "Geoffrey Hill," Interview with John Haffendon, Viewpoints: Poets in Conversation, London: Faber and Faber, 1981, p.76-99.
1983. "The Mystery of the Charity of Charles Péguy," read by Paul Webster, introduced by Hill, BBC Radio 3 (February 1, 1983).
"Our Word is Our Bond," Agenda 21.1 (Spring 1983) p.13-49.
"The Mystery of the Charity of Charles Péguy," Paris Review 88 (Summer 1983) p.
"What Devil Has Got into John Ransom?" Grand Street 2.4 (Summer 1983) p.81-103.
1984. "Gurney's 'Hobby,'" F.W. Bateson Memorial Lecture, Essays in Criticism 34.2 (April 1984) p.97-128.
Review of The Life of John Berryman by John Haffenden and Poets in their Youth: A Memoir by Eileen Simpson, Essays in Criticism 34.3 (July 1984) p.262-269.
1986. "David Sexton talks to Geoffrey Hill," Literary Review (February 1986) p.28.
1989. "Common Weal, Common Woe," Times Literary Supplement (April 21-29, 1989) p.411-412.
“A Pharisee to Pharisees: Reflections on Vaughan’s ‘The Night,’” English 38.161 (Summer 1989) p.97-113.
"Of Diligence and Jeopardy," Times Literary Supplement (November 17-23, 1989) p.1273-76.
1990. “‘Scenes with Harlequins,’” Times Literary Supplement (February 9-15, 1990) p.?
1991. "Style and Faith: 'If it were not for sin, we should converse together as angels do,'" Times Literary Supplement (December 27, 1991) p.3-6.
1994. "Keeping to the Middle Way: The 'accurate musicke' in Burton's anatomizing of worldly corruptions," Times Literary Supplement (December 23, 1994) p.3-6.
1996. "Dividing Legacies," Agenda 34.2 (Summer 1996) p.9-28.
Poetry Reading at "Poetry International," Purcell Room, Royal Festival Hall, London (October 25, 1996).
"Poetry and the Kenotic Hymn," in Lucien Richard, Christ: the Self-Emptying of God, New York and Mahwah, N.J.: Paulist Press, 1996, p.?
1997. "Canticle for Good Friday," "Genesis," "Metamorphoses," "In Memory of Jane Fraser," "Of Commerce and Society, Shiloh Church," "Picture of a Nativity," "Scenes with Harlequins," "Funeral Music," "The Rebirth of Venus," "Holy Thursday," "The Bibliographers," "Funeral Music," "Hymns to Our Lady of Chartres," "The Humanist," "Lachrimae Amantis," and "'Christmas Trees,'" in David Impastato (ed.) Upholding Mystery: An Anthology of Contemporary Christian Poetry, New York: OUP, 1997, p.
Poetry Reading at the Library of Congress (April 17, 1997) and subsequent recording "Upholding mystery: poets reading from the anthology of contemporary Christian Poetry in the Mumford Room," 1 sound tape reel, Library of Congress.
1998. "Isaac Rosenberg, 1890-1918," British Academy Wharton Lecture on English Poetry in Proceedings of the British Academy 101 (1999) p.
"Poet Geoffrey Hill wins 1998 Kahn Award for Canaan," interview with Eric McHenry, BU Bridge 1.32 (June 5 1998).
Poetry Reading at 92nd Street Y, NYC (November 30, 1998).
1999. "The Eloquence of Sober Truth. Clarendon and the Opposition to Hobbes's 'monstrous Soveraign,'" Times Literary Supplement 5019 (June 11, 1999) p.7-12.
“Picturing the Word 3: Professor Geoffrey Hill talks about Gauguin’s The Vision After the Sermon, Jacob Wrestling with the Angel,” BBC Radio 3 (August 18, 1999).
"Language, Suffering and Silence," Literary Imagination 1.2 (Autumn 1999) p.240-255.
"Tacit Pledges," in Alan W. Holden and J. Roy Birch (eds), A.E. Houseman, A Reassessment, London: Palgrave, 1999, p.53-75.
"Translating Value: Marginal Observations on a Central Question," in Shirley Chew and Alistair Stead (eds), Translating Life: Studies in Transpositional Aesthetics, Liverpool: Liverpool UP, 1999, p.199-213.
2000. "Intrinsic Value: Marginal Observations on a Central Question" and "Poetry and Value," Tanner Lectures, Brasenose College, Oxford (March 7-8, 2000).
"Alienated Majesty," Erasmus Lectures, University of Notre Dame, Notre-Dame, Indiana (April 10-14, 2000).
“The Art of Poetry LXXX”, interview with Carl Phillips in The Paris Review 154 (Spring 2000), 272-299.
"How not to be a Hero: Shakespeare's Coriolanus," Royal Festive Hall, Purcell Room (June 26, 2000), and recording broadcast on BBC Radio 3 (December 31, 2000).
Poetry Reading at "Poetry and Poetics into the 21rst Century," Salford University and Manchester Metropolitan University (June 30, 2000).
Interview with Eric McHenry, BU Bridge 4.8 (October 6, 2000).
"Acceptance Speech for the T.S. Eliot Prize," Image: A Journal of the Arts & Religion 28 (October 2000) p.72-76.
2001. "Endorse the Resurrection," Harper's Magazine (January 2001) p.
"Between Politics and Eternity," in Peter S. Hawkins and Rachel Jacoff (eds), The Poet's Dante, New York: Farrar, Straus and Giroux, 2001, p.319-332.
"Shakespeare's Concept of Courage," WBUR World of Ideas (March 25, 2001).
Lecture, Interfaith Chapel, University of Rochester River Campus, New York (April 19, 2001).
"Dietrich Bonhoeffer: The Political Activist," Hill with Dietrich Orlow, Charles R. Stith, Horace T. Allen Jr., WBUR World of Ideas (April 29, 2001).
"Writing into the Language," at "Tradition and Translation: The Work of Geoffrey Hill," International Conference, Centre for Research in Philosophy and Literature, University of Warwick (May 22-23, 2001).
2002. "An Evening of Poetry," Hill and Rosanna Warren, WBUR World of Ideas (July 14, 2002).
“Scenes from Comus,” part one, Stand 3:4- 4:1 (Fall 2002) p.3-23.
“Scenes from Comus,” part three, London Magazine (August-September 2002) p.95-105.
"A matter of Timing," Guardian (September 21, 2002).
"Courage in Shakespeare," in Barbara Darling-Smith (ed.), Courage, Notre Dame, Indiana: University of Notre Dame Press, 2002, p.54-64.
Interview with Mark Lawson, Front Row, BBC Radio 4 (October 15, 2002).
"David Yezzi talks to Geoffrey Hill," New York Sun (November 7, 2002) p.
2003. "English Devotional Poetry," Marsh Chapel Poetry Reading, WBUR (April 27, 2003).
Papaer on Sidney Keyes, Oxford, Examination Schools (May 22, 2003).
"Two Poems," Literary Imagination 5 (Spring 2003) p.286-287.
"Discourse: For Stanley Rosen," New Criterion (June 2003) p.32-34.
"Geoffrey Hill," in Clare Brown and Don Paterson (eds), Don't Ask Me What I Mean, Poets in their Own Words, London: Picador, 2003, p.115-118.
"R.S. Thomas's Welsh Pastoral," in Damian Walford Davies (ed.), Echoes to the Amen: Essays after R.S. Thomas, Cardif: University of Wales Press, 2003, p.
2004. On poetry and Music with Michael Berkeley, Private Passions, BBC Radio 3, (April 25, 2004).
"On the Reality of the Symbol," Literary Imagination 6.2 (Spring 2004) p.160-62.
"Improvisations for Hart Crane," Daedalus 133.4 (Fall 2004) p.99-101.
2005.
2006. "In Ipsley Church Lane 1," New Criterion (January 2006) p.
In discussion with Ian McMillian, The Verb, BBC Radio 3 (January 14, 2006).
Poetry Reading, Sheldonian Theatre, Oxford (February 1, 2006), "Poems from For the Unfallen (1959) to Without Title (2006)," CD, Clutag Press, 2006.
Poetry Reading, Lecture Theatre 3, Manchester Metropolitan University (February 16, 2006).
Poetry Reading, Dartmouth College (April 13, 2006).
"St. George's Day" with Arnold Wesker, Tom Wright, Alan Hollinghurst, Philip Pullman, Ruth Fainlight, Stephen Fry, and Geoffrey Hill, Private Passions, BBC Radio 3 (April 23, 2006).
"Life in Poetry: An Evening with Geoffrey Hill," WBUR (May 14, 2006).
"Improvisations for Hart Crane," Harper's Magazine (May 2006) p.
"After Reading Children of Albion (1969)," "Holbein,""Integer Vitae," "Masques," "On Seeing the Wind at Hope Mansell," and "Parallel Lives," Poetry 188.2 (May 2006) p.
"In Memoriam: Gillian Rose," Poetry 189 (December 2006) p.187.
2007. "In Memoriam: Gillian Rose," Harper's Magazine (February 2007) p.
"G.F. Handel, Opus 6," "Johannes Brahms, Opus 2," "On Reading Crowds and Power," "On Reading The Essayes or Counsels, Civill and Morall" and "The Peacock at Alderton," Poetry 189 (March 2007) p.
"Before Senility," Times Literary Supplement (July 6, 2007) p.30.
"Sidney Keyes in Historical Perspective," in Tim Kendall (ed.), The Oxford Handbook of British & Irish War Poetry, Oxford: OUP, 2007, p.398-418.
"_______ ? " in The Forward Book of Poetry 2008, London: Faber & Faber, 2007, p.
"________," in Lucy Newlyn and Guy Cuthbertson (eds), Branch-Lines: Edward Thomas and Contemporary Poetry, London: Enitharmon Press, 2007, p.
Poetry Reading, Londond Review Bookshop (September 20, 2007).
Poetry Reading, University of Warwick, at "Poets Reading Philosophy, Philosophers Reading Poetry" (October 26, 2007).
Remembrance Day Sermon at Balliol College, Cambridge (11 November 2007).
"Before Senility," New Criterion 26 (December 2007) p.31.
"An Emblem," "Lyric Fragment," and "Nachwort," Harper's Magazine (December 2007) p.
2008. Ash Wednesday Sermon at Balliol College, Cambridge (February 6, 2008).
"A Reading and discussion of my own writings..." at the Collège de France, Paris (March 18, 2008).
Reading at the Bodleian Library (April 4, 2008).
"Civil Polity and the Confessing State," Warwick Review 2.2 (June 2008) p.7-20.
Reading, Keble College Chapel, Oxford (July 3, 2008) at "Geoffrey Hill and His Contexts" Conference.
Interview in Temporel 6 (October 2008), p.
2009. "Strongholds of the Imagination," at Jesus College, Oxford (February 27).
Interview with Alexandra Bell, Rebecca Rosen, and Edmund White in Oxonian Review 9.4 (May 18, 2009).
"Confessio Amantis," Keble College: The Record 2009 (www.keble.ox.ac.uk) p.45-54.
2010.

The Coventry Carol

Here are several interpretations.





Critical Studies: Books

BLOOM, Harold (ed.), Geoffrey Hill (Modern Critical Views), New York: Chelsea House, 1986.
GALLET, R. and KILGORE-CARADEC, J. (eds), La Poésie de Geoffrey Hill et la modernité, Paris: L'Harmattan, 2007.
HART, Henry, The Poetry of Geoffrey Hill, Carbondale: Southern Illinois UP, 1986.
KNOTTENBELT, Elizabeth M., Passionate Intelligence: The Poetry of Geoffrey Hill, Amsterdam, Rodopi, 1990.
MILNE, W.S. An Introduction to Geoffrey Hill, London: Bellew, 1998.
PORDZIK, Ralph, History as Poetry : Dichtung und Geschichte im Werk von Geoffrey Hill, Essen: Die Blaue Eule, 1994.
ROBERTS, Andrew Michael, Geoffrey Hill, Tavistock: Northcote House & British Council, 2004.
ROBINSON, Peter (ed.), Geoffrey Hill: Essays on His Work, Milton Keynes: Open University Press, 1985.
SHERRY, Vincent, The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill, Ann Arbor, U. Michigan Press, 1987.
WAINWRIGHT, Jeffrey, Acceptable Words: Essays on the Poetry of Geoffrey Hill, Manchester: Manchester UP, 2006.

Critical Studies: Theses

BIRKAN, Carole, "'A Fabled England': Formes poétiques et valeurs nationales dans l’œuvre de Geoffrey Hill," Thesis, Université de Paris VII-Denis Diderot, 2007.
HERSANT, Patrick, "La voix médiane: statut de la parole poétique dans l’œuvre de Geoffrey Hill," Thesis, Université de Picardie, 1997.
HORNER, Avril, "‘The Poet’s True Commitment’: Geoffrey Hill and the Nature of Poetic Responsibility," Thesis, Université de Manchester, 1991.
HOSSACK-SIME, Irene, "Geoffrey Hill and the Question of Difficulty," Thesis, Monash University, 1998.
KILGORE, Jennifer, "Guerre et témoignage dans la poésie de Geoffrey Hill," Thesis, Université de Paris IV- Sorbonne, 1999.
LLOYD, J.F. "Geoffrey Hill and British Poery 1956-1986: An Analysis of Poetic Language and Poetic Voice," Thesis, Oxford, 1991.
ROSE, Jean, "The Politics of Perception: The Poetry of Geoffrey Hill," Thesis, University of Exeter, 1992.
TRANTER, M., "History, Identity, and the Search for Roots in the Poetry of Geoffrey Hill," Thesis, University of Leeds, 1997.

Critical Studies: Special Issues of Periodicals

AGENDA, 13:3, Autumn 1975; 17:1, Spring 1979 ; 23:3-4, Autumn 1985-Winter 1986; "Geoffrey Hill. Sixtieth Birthday Issue" 30:1-2, Spring-Summer 1992 ; "A Tribute to Geoffrey Hill" 34:2, Summer 1996.
CAMBRIDGE REVIEW, May 1997.
STAND, "Geoffrey Hill special issue" 3:4-4:1, #172, 2002.
YALE JOURNAL OF CRITICISM, 13:1, 2000.

Critical Studies: Articles, Reviews & Chapters in Books A-C

(Abreviations used for review articles: B=Brand; C=Canaan; CCW=Collected Critical Writings; CP=Collected Poems; EC=The Enemy's Country; FU=For the Unfallen; KL=King Log; LL=The Lords of Limit; MCP=The Mystery of the Charity of Charles Péguy; MH=Mercian Hymns; N&C= New & Collected Poems; OS=The Orchards of Syon; SC=Scenes from Comus; SK=Somewhere is Such a Kingdom; SF=Style and Faith; SP=Selected Poems; SS=Speech! Speech!; TCP=A Treatise of Civil Power; TL=The Triumph of Love; WT=Without Title)

ABBOTT, Paul, "The Angel of Recorded Delivery," (Review of Clutag CD), Oxford Poetry 12.2 (2007) p.
ACOSTA AIDE, Santiago, "Mercian Hymns: Mito, historia y lengua," Revista Canaria de Estudios Ingleses 19-20, November 1989-April 1990, p.101-112.
AHRENS, Rüdiger, "Transzendenz und lyrisches Ich in Ted Hughes’ ‘Gnat Psalm’ und Geoffrey Hills Mercian Hymns," in H.Kunisch, TH. Berchem et Fr. Link (eds), Literaturwissen schaftliches Jahrbuch, 23, Berlin, Duncker & Humblot, 1982, p.265-296.
—, "Juxtapositions du passé et du présent dans les Hymnes de Mercie de Geoffrey Hill," in R. Gallet et J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.19-38.
ALEXANDER, Michael, "Mercian Hymns," Agenda 34:2, summer 1996, p.104-106.
ANNWN, David, Inhabited Voices: Myth and History in the Poetry of Geoffrey Hill, Seamus Heaney and George Mackay Brown, Frome: Bran’s Head, 1984.
ANONYMOUS, (TCP), Signals 3 (2005?).
—, (SF), Image Update 42 (January 15, 2004).
ARMSTRONG, Charles I, "Det forrykte Kor" (WT), Morgenbladet, May 12, 2006, p.39.
ATTRIDGE, Derek, "Nonmetrical Verse," The Rhythms of English Poetry, London: Longman, 1982, p.316-323.
ATKINS, Tim, Folklore, Salt, 2008.
BARBER, David, "The Orchards of Syon" (OS), The New York Times Book Review, 14 avril 2002, p.20.
BARENBLAT, Rachel, (SS), in Pifmagazine (2001) 4p.
BARFOOT, C.C., "Reading the Word in Geoffrey Hill," Dutch Quarterly Review of Anglo-American Letters 16:1, 1986, p.39-60 reprinted in Robert Druce (ed.), A Centre of Excellence: Essays Presented to Seymour Betsky, Amsterdam, Rodopi, 1987, p.65-88.
BARKER, Jonathan, "Imaginitive Feeling" (CP), Agenda 23:3-4, Autumn 1985-Winter 1986, p.5-12.
BAYLEY, John, "A Retreat or Seclusion: Tenebrae of Geoffrey Hill," Agenda 17:1, Spring 1979, p.38-42.
—, "Somewhere is such a kingdom: Geoffrey Hill and contemporary poetry," in P. Robinson (ed.), Geoffrey Hill, Essays on His Work, 1985, p.185-195.
—, "The Tongue’s Satisfactions," Agenda 30:1-2, Spring-Summer 1992, p.9-14.
BEDFORD, William, "True Sequences of Pain: ‘Context’ in the Critical Prose and Poetry of Geoffrey Hill," Agenda 30:1-2, Spring-Summer 1992, p.15-23.
BEDIENT, Calvin, "‘Absentist Poetry’: Kinsella, Hill, Graham, Hughes," Poetry Nation Review 4:1 (1976) p.18-24.
—, "On Geoffrey Hill," Critical Quarterly 23:2 (1981) p.17-26.
—, "The Pastures of Wilderness: Geoffrey Hill’s ‘An Apology for the Revival of Christian Architecture in England’," British Poetry since 1945 Special Number, The Yearbook of English Studies 17 (1987) p.143-165.
BIRKAN-BERZ, Carole, "Geoffrey Hill’s ‘Collated’ Poems and Criticism," in Paul Volsik (ed.), Collage / Montage / Assemblage: Poésie Anglaise et Américaine, Cahiers Charles V 34 (2003) p.139-154.
—, "'D'antiques nouvelles': Geoffrey Hill, critique de la modernité politique" in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.79-97.
BLAICHER, Gunther, "‘Struggles of Entanglement with incoherent roots’ : Epistemological Processes in the Poetry of Geoffrey Hill," in Roland Hagenbüchle and Laura Skandra (eds), Poetry and Epistemology: Turning Points in the History of Poetic Knowledge, Regensburg: Pustet, 1986, p.294-309.
BLANTON, C. D., "Nominal Devolutions: Poetic Substance and the Critique of Political Economy," The Yale Journal of Criticism, 13.1 (2000) p.129-51.
BLOOM, Harold, "The Survival of Strong Poetry, Introduction," Geoffrey Hill, Somewhere Is Such a Kingdom: Poems 1952-1971, Boston: Houghton Mifflin, 1975, p.xiii-xxv ; and in Bloom, Figures of Capable Imagination, New York: Continuum, 1976.
BODE, Christopher, "A Mercia of the Mind: Geoffrey Hill’s Mercian Hymns and the Poetical Transcendence of Time and Place," in Lothar Fietz, Paul Hoffman et Hans-Werner Ludwig (eds), Regionalität, Nationalität und Internationalität in der Zeitgenössischen Lyrik, Tübingen: Attempto, 1992, p.313-342.
BOLTON, Jonathan, "Empire and atonement: Geoffrey Hill's ‘An Apology for the Revival of Christian Architecture in England’," Contemporary Literature 38.2 (1997) p.287-306.
BONNECASE, Denis, "Geoffrey Hill et la voix lyrique dans The Orchards of Syon (2002)," Etudes Anglaises 60:3 (July-September 2007) p.290-303.
BOUDWAY, Matthew, "The Betrayals of Style" (SF) Crisis 21.14 (March 9, 2004) p.
BOURBON, Brett, "The Remittance of Mistrust," Chicago Review 53.4-54.1/2 (Summer 2008) p.
BROMWICH, David, "A Poet and Power" (MCP, LL), The New Republic (16 septembre 1985) p.
—, "Muse of Brimstone" (SS), The New York Times, (11 mars 2001).
—, "Geoffrey Hill and the Conscience of Words" in Bromwich, Skeptical Music, Essays on Modern Poetry, Chicago: University of Chicago Press, 2001, p.151-162.
BROOKS, Cleanth, "Tradition and Poetry," Partisan Review 4 (1990) p.650-656.
BROWN, Dennis, "The Triumph of Geoffrey Hill: 1952-1998," David Jones Journal 2.1 (2000) p.5-17.
BROWN, Merle, "‘Funeral Music,’" Agenda 17.1 (1979) p.72-88.
—, "‘Flesh of Abnegation’: The Poems of Geoffrey Hill," Southern Review 15 (1979) p.64-77.
—, Double Lyric: Divisiveness and Communal Creativity in Recent English Poetry, London: Routledge & Kegan Paul, 1980, p.20-72.
BROWNJOHN, Alan, "Ancient and Modern" (MH), New Statesman 82.2107 (August 6 1971) p.183-4.
—, "Poetry: A rush of blood" (SC), The Sunday Times (The Times online, 19 juin 2005)
—, "In good Company" (WT), The Sunday Times (The Times online, 19 février 2006).
BUCK, Heather, "Geoffrey Hill" (CP), Agenda 23.3-4 (Autumn-Winter 1985-86) p.15-17.
—, "Geoffrey Hill," Agenda 30.1-2 (Spring-Summer 1992) p.24-25.
BURGESS, Anthony, (LL), Times Literary Supplement (May 4, 1984) p.
BURNSIDE, John, "Dark-Land," Poetry Review 87.2 (Summer 1997) p.51-52.
BURROW, Colin, "Displaced Gravity" (SC), The Guardian (January 15, 2005) Features & reviews, p.9.
BURT, John, "History and Disaffection in Geoffrey Hill’s The Triumph of Love" The Sewanee Review 109.4 (Autumn 2001) p.580-593.
BURT, Steve, "Meaningful Speech" (OS), Publishers Weekly (April 8 2002) p.
BUXTON, Rachel, "Transaction and Transcendence: Geoffrey Hill’s Vision of Canaan," Cambridge Quarterly 34.4 (2005) p.333-363.
CAMPBELL-JOHNSTON, Rachel, "Laurel for an Epic Vision" (TL), The Times (January 21 janvier 1999) p.40.
—, "On Poetry’s Pilgrims" (OS), The Times (September 25, 2002) p.
—, "Epic Journeys to Redemption" (WT), The Times (July 1 2006) p.
CARPENTER, Peter, "Lost in Translation: The Reader and Difficulties," Critical Survey 4.3 (1992) p.268-274.
CARY, Joseph, "A Note, with Footnotes, on Hill’s Celans," Agenda 30.1-2 (Spring-Summer 1992) p.26-31.
CASEY, John, "Poetry's Serious Endeavour" (CCW) Tablet (June 26, 2008) p.
CAVALIERO, Glen, "The Mysterious Charity of Geoffrey Hill," PN Review 25.6, 128 (1999) p.10-12.
CHRISTIE, Tara, "‘For Isaac Rosenberg’: Geoffrey Hill, Michael Longley, Cathal Ó Searcaigh," in Tim Kendall (ed.), The Oxford Handook of British & Irish War Poetry, Oxford:OUP, 2007, p.542-563.
CLARK, Tom, "British Poet Geoffrey Hill Casts a Cold Eye on History" (TL), San Francisco Chronicle (October 11, 1998) p.
COCKSHUT, A.O.J., "Criticism from a Writer's Pen" (CCW), Church Times 7582 (July 2008) p.
COOK, Eleanor, Against Coercion: Games Poets Play, Stanford University Press, 1998.
COOKSON, William, "A Few Notes on Geoffrey Hill," Agenda 9.2-3 (Spring-Summer 1971) p.146-7.
—, "A Note on Brand," Agenda 17.1 (Spring 1979) p.89.
—, "A Tribute to Geoffrey Hill," Stand 3.4-4.1, 172 (September 2002) p.28.
COUDERC, Gilles, "Liturgie et musique dans Tenebrae de Geoffrey Hill: le poète musicien," in R. Gallet and J. Kilgore-Caradec (eds), La Poésie de Geoffrey Hill et la modernité, 2007, p.139-167.
CRAWFORD, Robert, "Dissonance and Harmony" (TCP), The Independent (August 31, 2007) p.
CRONIN, Richard, "Hill’s Lost Kingdoms," The Salisbury Review (April 1987) p.

Critical Studies: Articles, Reviews & Chapters in Books D-G

DALE, Peter, "Some Thoughts on Rhyme in The Mystery of the Charity of Charles Péguy," Agenda 30.1-2 (Spring-Summer 1992), p.32-34.
DAVIDSON, Peter, "A Note on Geoffrey Hill’s ‘Recusant’ Poems," Agenda 30.1-2 (Spring-Summer 1992) p.35-39.
DAVIE, Donald, Under Briggflatts, A History of Poetry in Great Britain 1960-1988, Chicago: University of Chicago Press, 1989.
—, "From Drayton to Dryden: Shifting Tastes in Seventeenth-Century Verse" (EC), Times Literary Supplement (December 27, 1991) p.6-7.
DAWE, Gerald, "Setting a different human example," Irish Times (April 24, 2010).
DAY, Thomas, « Geoffrey Hill’s Finishing-lines » Cahiers Charles V 34, 2003, p.155-166.
—, "The Comedy of Eros" (SC), The Cambridge Quarterly 34 (2005) p.419-423.
—, "Sensuous Intelligence: T.S. Eliot and Geoffrey Hill," Cambridge Quarterly 35.3 (2006) p.255-280.
—, "You read me too well" (WT), The Times (The Times Online, June 2 2006).
—, "Criticising the Critic," Cambridge Quarterly 38:2 (June 2009) p.188-92.
—, "French Connections in Geoffrey Hill's The Orchards of Syon," Essays in Criticism 60.1 (2010) p.26-50.
DEGUY, Michel, "Pas si étrangère que ça!" in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.211-225.
D’EVELYN, Tom, "Calling Us to Account" (SS), Bostonia (Winter 2000) p.
—, "Beyond the Disorder of the Times" (OS), Bostonia (Autumn 2002) p.
—, "Railings and Reevaluations" (SF), Bostonia (Winter 2003) p.
—, "Poets who celebrate nature" (WT), The Providence Journal (July 29, 2007) p.
DIRDA, Michael, "In Praise of Poetry" (T), Washington Post Book World (December 9, 1979) p.
—, "Geoffrey Hill: The Fascination of What’s Difficult" (NC), Washington Post Book World (March 27, 1994) p.
DISCH, Tom, "The Perils of Poesy" (MCP), Washington Post Book World (December 30, 1984) p.
DODSWORTH, Martin, "Geoffrey Hill’s New Poetry," Stand 13.1 (1972) p.61-3.
—, "Ted Hughes and Geoffrey Hill: An Antithesis" in Boris Ford (ed.), The New Pelican Guide to English Literature, v.8, The Present, London: Penguin, 1983.
—, "Offa, Charlemagne and Geoffrey Hill," in P.Robinson (ed.), Geoffrey Hill: Essays on his Work, 1985, p.49-61.
DOERR, Joseph Francis, "The Makings of the English Working-Class Poet: Historical Perspectives of Class, Art, and Culture in the Shaping of Five Poets from Leeds: Geoffrey Hill, Jon Silkin, Tony Harrison, Ken Smith, and Jeffrey Wainwright," Thesis, University of Notre Dame, 2003.
DONAGHUE, Denis, "Lover of Lost Causes" (C, TL), The New York Review of Books, (May 20, 1999) p.53- 7.
—, "Contemporary poetry: keeping the conversation going," PN Review 31.6 (2005) p.16-21.
DONALDSON, Jeffrey, "Must Men Stand By What They Write?" Partisan Review 58.3 (1991) p.548-54.
DREXEL, John, "Geoffrey Hill: The Poet in Winter" (OS), Contemporary Poetry Review (2002) p.
DUNCAN, Andrew, The Failure of Conservatism in Modern British Poetry, Cambridge: Salt, 2003.
— "'The Peasantry of the Lower Elbe': A Treatise of Civil Power" (TCP), Oxford Poetry 12.3 (2008) p.136-9.
EDWARDS, Michael, "Geoffrey Hill’s Imitations," Poetry and Possibility, London: MacMillan, 1988, p.169-184.
—, "Le mot juste" in G. Hill, Scènes avec Arlequins et autres poèmes, tr. R. Gallet, Paris: La Différence, 1998, p.7-17.
—, "La poésie impure," Conférence 9 (Autumn 1999) p.235-247.
—, "Quotidian Epic: Geoffrey Hill’s The Triumph of Love," Yale Journal of Criticism 13.1 (Spring 2000) p.167-76.
—, Le Génie de la poésie anglaise, Paris: Librairie Générale Française, 2006, p.414-422.
—, "Préface," R. Gallet and J. Kilgore-Caradec, La poésie de Geoffrey Hill et la modernité, 2007, p.7-16.
ELLIS, S.J., "‘To Speak the Silence That has Arisen’: On Geoffrey Hill’s Decade of Reticence," PN Review 20.6, 98 ( ), p.51-54.
EPHRENPREIS, Irvin, "The State of Poetry" (SK), New York Review of Books, 22.21-22 (January 1976) p.
EWBANK, Inga-Stina, "Remembering Brand," Stand 3.4-4.1, 172 (2002) p.43-44.
FAZZINI, Marco, "Geoffrey Hill: Storia e mito nei Mercian Hymns," Annali di Ca’Foscari Rivista della Facolta di Lingue e Letterature Straniere dell’Universita di Venezia 28.1-2 (1989) p.191-200.
—, "Geoffrey Hill: Un poeta in maschera ci parla d’amore," Annali di Ca’Foscari Rivista della Facolta di Lingue e Letterature Staniere dell’Universita di Venezia 29.1-2 (1990), p.117-131.
—, "L’amore, o del sangue degli angeli: Per i settant’anni di Geoffrey Hill," Nuova Corrente : Rivista di Letteratura 49, 130 (July-December 2002) p.
FEINSTEIN, Elaine, (TL), The Daily Telegraph, (February 14 1999) p.
FIRCHOW, Peter, (C), World Literature Today (Summer 1998) p.
FITZGERALD, Brian, "UNI and CAS professor Geoffrey Hill to retire," BU Today (June 28, 2006) p.
FITZGERALD, Judith, "Unfashionably Difficult" (SP), The Globe and Mail (April 5, 2010).
FLEGO, Fabio, "Poeti inglesi di oggi : Geoffrey Hill," Lingue del Mondo: Prima Rivista di Cultura Ling 51.1-2 (1986) p.78-81.
FLORES-BORQUEZ, Melissa, (WT) on blog "The Yellow Spot" (June 2006).
FOGLE, Andy, "This Canon Fires" (SS), Popmatters, (2001).
FORDHAM, Finn, "Mothers’ boys brooding on Bubbles: Studies of two poems by Geoffrey Hill and Derek Walcott," Critical Quarterly 44.1 (Spring 2002) p.80-96.
FOWLER, Alistair, "Geoffrey Hill: refined, furious — and great?" Times Literary Supplement (April 4, 1986) p.
FRISARDI, Andrew, (C), Boston Globe (October 12, 1997) p.
—, "Of Life and Culture, from the Playful to the Satirical" (TL), The Boston Globe (December 27, 1998) Books p.L2.
FURBANK, P.N., (SF), The Threepenny Review 97, (Spring 2004) p.16.
GALLET, René, "Le château de Pentecôte," "‘Représenter l’intolérable’ For the Unfallen de Geoffrey Hill," and "Geoffrey Hill : Esquisse de bibliographie" in Poètes anglais contemporains, Caen: Presses Universitaires de Caen, 1982, p.28-53.
—, "Le sacré : le centre et les marges (S. Heaney, C.H. Sisson, G. Hill)," Etudes Anglaises 38.2 (April-June 1985) p.180- 192.
—, "Geoffrey Hill : la poésie, l’ordinateur et le péché originel," Communio 21.3 (May-June 1996) p.117-129.
—, "Geoffrey Hill : Le Triomphe de l’amour et l’ ‘excès du mal,'" Po&sie 99 (March 2002) p.101-110.
—, "Les mots, le silence et la qualification de la poésie," in R. Gallet and J. Kilgore-Caradec, La poésie de Geoffrey Hill et la modernité, 2007, p.169-182.
GENIUSIENE, Izolda Gabriele, "Indeterminacy and the Search for Meaning in Geoffrey Hill's Poetry," Repectus Philologicuswww.ceeol.com>.
GERVAIS, David, "Geoffrey Hill: Past and Present" (MCP), The Cambridge Quarterly, 12.2-3 (1984) p.201-214.
—, "Geoffrey Hill, His Critics and His Criticism," Cambridge Quarterly 15 (1986) p.236-245.
—, "The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill by Vincent Sherry," The Yearbook of English Studies (1990) p.349-350.
—, "‘A tyme for knots’: Geoffrey Hill’s Clark Lectures," Cambridge Quarterly 21 (1992) p.389-394.
—, "Geoffrey Hill and the ‘floating of nostalgia’" in Gervais, Literary Englands: Versions of ‘Englishness’ in Modern Writing, 1993 [1996], p.220-269.
—, "Home-Made Englands: History and Nostalgia in the Poetry of Geoffrey Hill and Tony Harrison" in C.C. Barfoot (ed.), In Black and Gold: Contiguous Traditions in Post-War British and Irish Poetry, Amsterdam: Rodopi, 1994, p.45-65.
—, "An ‘exemplary poet’: Geoffrey Hill’s Wordsworth," Agenda 34.2 (1996) p.88-103.
—, "Geoffrey Hill: A Poet and His Readers," Etudes britanniques contemporaines (December 2002), p.
—, "Geoffrey Hill: The Poet as Critic" (SF), PN Review 31.4 (March-April 2005) p.63-64.
—, "The Late Flowering of Geoffrey Hill," PN Review183, 35.1 (September-October 2008), p.32-36.
GETZ, Thomas H., "Geoffrey Hill: History as Poetry; Poetry as Salutation," Contemporary Poetry: A Journal of Criticism (Bryn Mawr) 4.3 (1982) p.4-23.
GIFFORD, Henry, "Hill and the Dictionary," in P. Robinson (ed.), Geoffrey Hill, Essays on His Work, 1985, p.149- 158.
GIOA, Dana, Barrier of a Common Language: An American Looks at Contemporary British Poetry, Ann Arbor: University of Michigan Press, 2003.
GLOVER, Jon, "Resolution and Fugue" (T), Poetry Review 68.4 (January 1979) p.48-50.
—, and John Whale, "Editorial," Stand 6.4-7.1, 181 (2006), p.
GLOVER, Michael, "POETRY Geoffrey Hill Poetry International, South Bank Centre, London," Independant (October 30, 1996) p.
GLYNN, Stephen T., "‘Biting Nothings to the Bone’: The Exemplary Failure of Geoffrey Hill," English 36, 156 (Autumn 1987) p.235-264.
GOWRIE, Greg, "A Celebration with a Warning" (SC), The Spectator (February 5, 2005) p.
GRAFE, Adrian, "Geoffrey Hill’s Shifting Scapes," in P. Volsik et A. Lang (eds), Scapes, poésie anglophone, Cahiers Charles V, hors série, 2006, p.
— "Le Triomphe de l'amour" Etudes 4076, December 2007, p.689-691.
GREENWELL, Garth, "‘The Pedagogy of Martyrdom’: ‘Witness’ in Geoffrey Hill’s The Triumph of Love," Literary Imagination 8.1 (Winter 2006) p.91-108.
GRIFFITHS, Eric, "Hill’s criticism: a life of form," in P. Robinson (ed.), Geoffrey Hill, Essays on His Work, 1985, p.172-184.
GRONOW, Michael, "Geoffrey Hill: ‘Artist-Poet-Man,’" Revista Canaria de Estudios Ingleses 15 (November novembre 1987) p.181-189.
—, "Geoffrey Hill: Keeping Poetry Alive," Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos 10.1-2 (1988) p.69-77.
GROVIER, Kelly, "Keats and the Holocaust: Notes Towards a Post-Temporalism," Literature & Theology 17.4 (December 2003) p.361-373.

Critical Studies: Articles, Reviews & Chapters in Books H-K

HABERER, Adolphe, "The Enemy’s Country" (EC), Etudes Anglaises 46.4, 1993, p.501-502.
HAFFENDEN, John, Viewpoints: Poets in Conversation, London, Faber & Faber, 1981.
HALL, Donald, "Poet of Stones and Fields" (SK), The Nation, 6 décembre, 1975, p.600-602.
—, "Geoffrey Hill’s Poems," Goatfoot, Milktongue, Twinbird, Interview, Essays, and Notes on Poetry, 1970-76, Ann Arbor, The University of Michigan Press, 1978, p.173-77.
—, "Geoffrey Hill: Naming the Devils," The Weather for Poetry, Essays, Reviews and Notes on Poetry, 1977-1981, Ann Arbor, The University of Michigan Press, 1982, p.85-96.
—, "Introduction," Henry Hart, The Poetry of Geoffrey Hill, 1986, p.ix-xiii.
—, "The Art of Poetry no.43: Donald Hall," The Paris Review 120, (Autumn 1991), pp.
HAMADA, Kazuie, "[A Logic of Selflessness in Geoffrey Hill’s ‘The Pentacost Castle’]," Collected Essays by the Members of the Faculty 29, 1986, p.55-67.
HAMILTON, Ian, (MH), The Obsever, 29 août 1971, p.23.
HAMMER, Langdon, "To the Dark Wood" (TL), The New York Times (17 janvier 1999).
—, "The American Poetry of Thom Gunn and Geoffrey Hill," Contemporary Literature 43.4, hiver 2002, p.644-666 reprinted in Steve Clark et Mark Ford (eds), Something We Say That They Don’t : British and American Poetic Relations Since 1925, Iowa City: University of Iowa Press, 2004, p.118-136.
HARRIS, Steve, "Satire and Elegy in Geoffrey Hill’s ‘De Jure Belli Ac Pacis,’" Alsop Review, (unknown date), p. .
HART, Henry, "Early poems: journeys, meditations and elegies" in P.Robinson (ed.), Geoffrey Hill: Essays on his Work, 1985, p.2-19.
—, "Geoffrey Hill’s The Mystery of the Charity of Charles Péguy: A Commentary," Essays in Criticism 33 (1983) p.312- 338.
—, "A Late Harvest" (OS), Crisis, (July 2, 2002) p.
—, "Geoffrey Hill: The Quest for Mystical Communion and Community," Religion and Literature 39.1 (April 2007) p.1-26.
HART, Kevin, "Varieties of poetic sequence: Ted Hughes and Geoffrey Hill" in Neil Corcoran, The Cambridge Companion to Twentieth-Century English Poetry, Cambridge: CUP, 2007, p.187-199.
—, "A Lord of Limit," (CCW), Notre Dame Review 28 (Summer-Fall 2009) p.
HATCH, James, "Strange Gods" (C), American Book Review 18.6 (September-October 1997), p.13.
HAUGHTON, Hugh, "‘How fit a title…’ : Title and Authority in the work of Geoffrey Hill" in P. Robinson (ed.), Geoffrey Hill : Essays on his Work, 1985, p.129-48.
HEANEY, Seamus, "Englands of the Mind," Beckman Lecture, University of California Berkeley, 1976, in Preoccupations, London: Faber, 1980, p.150-169.
—, "Artists on Art: Now and in England," Critical Inquiry 3.3, (Spring 1977) p.471-88, reprinted in Preoccupations.
HERSANT, Patrick, "Murmurer l’indicible : Un sonnet de Geoffrey Hill," in Jacques Darras (ed.), Les Métamorphoses du Sonnet, Bruxelles, Le Cri/In’hui, 52-53, 1999, p.165-174.
—, "Un fracas de saluts: d'une langue à l'autre, le poème," Le Texte Etranger #4, p.1-4, date?
HILBERT, Ernest, "The Corpus of Absolution" (OS), Contemporary Poetry Review, 2003.
HIRSCH, Edward, (SK), The Sewanee Review, 84, 1976.
HOLLANDER, John, "‘The Mystery of the Charity of Charles Péguy,’" The Yale Review 74 (Autumn 1984), and in H. Bloom (ed.), Geoffrey Hill, Modern Critical Views, p.137-139.
HOOKER, Jeremy, "For the Unfallen: A Sounding" in P.Robinson (ed.), Geoffrey Hill: Essays on his Work, 1985, p.20- 30.
—, The Presence of the Past: Essays on Modern British and American Poetry, Brigend, Poetry Wales Press, 1987, p.9-32.
HORNE, Philip, "Bibliography of works by and about Geoffrey Hill," in P. Robinson (ed.), Geoffrey Hill, Essays on His Work, 1985, p.237-251.
—, "Poets and Prophets: Geoffrey Hill in America," Symbiosis: A Journal of Anglo-American Literary Relations 2.2, octobre 1998, p.161-174.
HORNER, Avril, "Hill’s Asmodeus," The Explicator 46.1, (Autumn 1987) p.50-53.
—, "Geoffrey Hill, Dietrich Bonhoeffer, and ‘Christmas Trees,’" Notes and Queries 36 (1989) p.209-210.
—, "‘Linnaean Pentecosts’: Geoffrey Hill’s ‘An Apology for the Revival of Christian Architecture in England,’" Journal of Literature and Theology 4.1, (March 1990) p.84-103.
—, "Geoffrey Hill, John Cowper Powys, and ‘The Laurel Axe," Notes and Queries 38.3, 236 (Septembre 1991) p.347- 48.
—, "The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill," Paideuma 22.1-2 (Spring-Autumn 1993) p.243- 254.
—, "Geoffrey Hill: English Modernist or Potmodern European ?," University of Salford European Studies Research Institute Working Papers, n°7, 1994, p.1-23.
—, "‘The poet’s true commitment’: Geoffrey Hill, the computer, and original sin" in Gregory Salyer and Robert Detweiler (eds), Literature and Theology at Century’s End, Atlanta: Scholars Press, 1995, p.159-175.
HOUSTON, Douglas, "Passionate Profundities," Poetry Review 97.2 (Summer 2006) p.107-110.
HOWE, Nicholas, "Praise and Lament: The Afterlife of Old English Poetry in Auden, Hill, and Gunn," in Peter S. Baker et Nicholas Howe (eds), Words and Works: Studies in Medieval English Language and Literature in Honour of Fred C. Robinson, Toronto: University of Toronto Press, 1998, p.293-310.
HUH, Hyun Sook, "[Geoffrey Hill’s Poetic Transformation of Human History]," The Journal of English Language and Literature (Yongo Yongmunhak) 48.1 (2002) p.191-214.
HUK, Romana, "Poetry of the Committed Individual," in James Acheson et Romana Huk (eds), Contemporary British Poetry: Essays in Theory and Criticism, New York: SUNY, 1996, p.175-219.
JACOBS, Alan, "The Lord of Limit" (SF), Christianity Today 10.3 (May-June, 2004) p.16.
JACKSON, A.B., (TCP), Tower Poetry (2007).
JAMES, Stephen, "The Smeared Vision" (OS), Poetry Review 92.3 (Autumn 2002) p.97-100.
—, "Geoffrey Hill and the Rhetoric of Violence," Essays in Criticism 53.1 (January 2003) p.33-53.
—, "‘A Conflict of Opposites’ Robert Lowell and Geoffrey Hill,"Symbiosis: A Journal of Anglo-American Relations 10.1 (April 2006) p.63-85.
—, Shades of Authority: The Poetry of Lowell, Hill and Heaney, Liverpool: Liverpool University Press, 2007.
JEFFERS, Thomas L., "That Which Sustains Us" (OS), Commentary Magazine 113.6, (June 2002) p.
JOHNSON, Jeannine, Why Write Poetry?: Modern Poets Defending Their Art, Fairleigh: Dickinson University Press, 2007.
JOHNSON, Jeffrey, (C, TL), Image 23 (Summer 1999) p.
JONES, Chris, Strange Likeness, Oxford: OUP, 2006.
JONES, Gareth, "Exordium: On Flies, Polity, and Commonplace Responsibilities" (SF) Reviews in Religion and Theology 14.1 (January 2007, Online November 9, 2006) p.145-157.
KAISER, Mary, (TL), World Literture Today 74.1 (Winter 2000) p.166.
KARP, Marcia, "Geoffrey Hill and Milton," Letter in Times Literary Supplement (March 7, 1997) p.17.
KATO, Mitsuya, "Albion to iu Na no Torokko — Mercia Sanka o Yomu," Eigo Seinen 131 (1986) p.490-494.
KAZIN, Cathrael, "Lachrimae," Agenda 17.1 (1979) p.43-60.
KEMENY, Louise, "Archeology of Words: Geoffrey Hill's Mercian Hymns," The Litterateur (Setpember 27, 2009).
KENDALL, Tim, "Geoffrey Hill’s Debts," in Kendall, Modern English War Poetry, Oxford: OUP, 2006, p.217-237.
—, "Hire Houses" (TCP), Times Literary Supplement (October 12, 2007) p.24-25.
KERRIGAN, John, "Divided Kingdoms and the Local Epic: Mercian Hymns to The King of Britain’s Daughter," Yale Journal of Criticism 13.1 (Spring 2000) p.3-21.
KILGORE-CARADEC, Jennifer, "Un portrait bergsonien ? The Mystery of the Charity of Charles Péguy," L’amitié Charles Péguy 77 (January-March 1997) p.20-34.
—, "‘Fierce tea-making / in time of war’ : English Heritage and the war in Geoffrey Hill’s ‘Churchill’s Funeral,’" in Eliane Elmaleh (ed.), Actes du colloque Héritages 1998, Université du Maine: Cahiers du GREAM, 2000, p.72- 103.
—, "Hill, Péguy, Syon," L’amitié Charles Péguy 98 (April-June 2002) p.253-256.
—, "Coventry, Geoffrey Hill, et la bataille d’Angleterre," Cahiers de la MRSH 31 (Caen, July 2002) p.153-62.
—, "Peace it Together: Collage in the Recent Work of Geoffrey Hill," in Paul Volsik (ed.), Collage / Montage / Assemblage : Poésie Anglaise et Américaine, Cahiers Charles V 34 (2003) p.167-184.
—, "Seeking ‘The Root in Justice’: Geoffrey Hill on Ezra Pound," in Hélène Aji (ed.), Ezra Pound and Referentiality, Paris: Presses de l’Université de Paris-Sorbonne, 2003, p.93-103.
—, "La poésie des oubliés de l’histoire: ‘September Song’ et la poésie de Geoffrey Hill," in Carole Dornier et Renaud Dulong (eds), Esthétique du témoignage, Paris: Editions de la Maison des sciences de l’homme, 2005, p.71-88.
—, "Framing Charles Péguy: Visualization in Geoffrey Hill’s The Mystery of the Charity of Charles Péguy," Peter Vernon (ed.), Seeing Things, Tours: GRAAT 28 (April 2005) p.27-44.
—, "Tropes of Memory in The Orchards of Syon," Etudes Britanniques contemporaines 29 (December 2005) p.41-51.
—, "'En mémoire de ces choses,'" in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.57-76.
KIM, Yang Soon, "[T.S. Eliot and Geoffrey Hill: On the ideas of Language, Literary Form and History]," Journal of the T.S. Eliot Society of Korea 8.39-70 (Spring-Summer 2000) p.712-749.
—, "[Geoffrey Hill’s Contrary Voices: The Atrocity of History and the Duplicity of Poetic Witness]," Studies in Modern British and American Poetry 5 (2000) p.41-66.
KINSELLA, John, "Life, Death and Romsley" (TL), The Observer (January 31, 1999) Books, p.13.
KIRCHWEY, Karl, "‘Wise Late Work Emptied of Expectation’: Arguments with God in John Bricuth’s Just let me say this about that and Geoffrey Hill’s The Triumph of Love," Literary Imagination 1 (1999) p.102-108.
KIRSCH, Adam, "A Stick to Beat the Century With" (TL), The Times Literary Supplement, (January 29, 1999) p.7-8.
—, "The Plantagenet Poet" (OS), The New Republic, (May 27, 2002) p.
—, "The Long-Cherished Anger of Geoffrey Hill" (WT), The New York Sun (March 28, 2007) p.
—, The Modern Element: Essays on Contemporary Poetry, New York: Norton, 2008, p.53-79.
—, (CCW), Times Literary Supplement (July 2008), p.
KOOY, Michael John, "Word and Image in the Later Work of Geoffrey Hill," Word & Image 20.3 (July-September 2004) p.191-205.
KOPPENFELS, Werner Von, "A Sad and Angry Consolation: Violence, Mourning and Memory in the Late Poetry of Ted Hughes and Geoffrey Hill," European Studies 16 (2001) p.227-249.

Critical Studies: Articles, Reviews & Chapters in Books L-M

LAIRD, M.S., Into the Silent Land: A Guide to the Christian Practice of Contemplation, Oxford: OUP, 2006.
LAUGLER, Emmanuel, (TL), Le Matricule des Anges 084 (2007).
LEDDY, Michael, "An Approach to Geoffrey Hill’s Mercian Hymns," Poesis: A Journal of Criticism (Bryn Mawr) 7.2 (1986) p.32-45.
LEISING, Gary Francis, "Stolen Vision," Thesis, University of Cincinnati, 2003.
LENNARD, John, But I Digress: The Exploitation of Parentheses in English Printed Verse, Oxford: OUP, 1991.
LERAY, Josette, "Charles Péguy vu par Geoffrey Hill," L’amitié Charles Péguy 50 (April-June 1990) p.67-71.
LESSENRICH, Rolf P., "Geoffrey Hill’s ‘Lacrimae’ im Kontext seines Welt-und Kunstverständnisses" in Karl Josef Höltgen, Lothar Hönnighausen, Eberhard Krentzer, and Götz Schmitz (eds), Tradition und innovation in der englischen und amerikanischen Lyrik des 20 Jahrhunderts, Tübingen: Niemeyer, 1986, p.233-248.
LEVI, Peter, "Geoffrey Hill," Agenda, 9.4-10.1 (Autumn-Winter 1971-1972) p.99-100.
—, "Geoffrey Hill," Agenda 23.3-4 (Autumn-Winter 1985-1986) p.13-14.
—, "Geoffrey Hill," Agenda 30.1-2 (Spring-Summer 1992) p.46-49.
LEZARD, Nicholas, "Hill Starts" (SS), The Guardian (November 17 2001).
—, "A growl in his voice, a twinkle in his eye" (SC), The Independent (Feburary 6, 2005).
—, "Jump for Joy" (WT), The Guardian (January 21, 2006).
LIGHTMAN, Ira, "Over the Hill and into the Wood" (TCP, SC), Stride Magazine (September 2005).
—, "Looking at Glass Ceilings" (review Wainwright, Acceptable Words), Stride Magazine (February 2008).
LINDOP, Grevel, "Myth and Blood: The Poetry of Geoffrey Hill," Critical Quarterly 26.1-2 (Spring-Summer 1984) p.147-156.
—, "Of Argument and Rumination," Stand 3.4-4.1, 172, (September 2002) p.38-40.
LLOYD, David, "The Public and Private Realms of Geoffrey Hill’s Mercian Hymns," Twentieth Century Literature 34.4 (Winter 1988) p.407-415 reprinted in Leonard M. Trawick (ed.), World, Self, Poem: Essays on Contemporary Poetry from the ‘Jubilation of Poets’, Kent, Ohio: Kent State University Press, 1990, p.28-36.
LOGAN, William, "Hill as Critic," Essays in Criticism 37 (1987) p.329-338.
—, (MCP), Southwest Review, (Autumn 1988) p.
—, "The Absolute Unreasonableness of Geoffrey Hill" (LL), in James McCorkle, Conversant Essays: Contemporary Poets on Poetry, Detroit: Wayne State University Press, 1990, p.
—, "The Fallen World of Geoffrey Hill," New Criterion 12.7 (1994) p.10-17.
—, "Betrayals of the Tongue" (C), New Criterion 16.3 (November 1997) p.
—, "The Triumph of Geoffrey Hill" (TL), Parnassus 24.2 (2000) p.201-220.
—, "Author! Author! " (SS), New Criterion 19.4 (December 2000) p.
—, "Falls the Shadow" (OS), New Criterion 20.10 (June 20 2002) p.
—, "Jumping the Shark" (SC), New Criterion 24.4 (December 2005) p.
—, The Undiscovered Country: Poetry in the Age of Tin, New York: Columbia University Press, 2005, p.142-161, 171-175, 245-248.
—, "Victoria’s Secret" (WT), New Criterion (June 24, 2006) p.
—, "Living With Ghosts" (TCP), The New York Times Sunday Book Review (January 20, 2008) p.
LOJKINE-MORELEC, Monique, "Comment lisent les poètes," Etudes Britanniques Contemoraines 12 (December 1997) p.1-15.
LONGLEY, Edna, (MCP), New Statesman 105, 2726, June 17, 1983) p.25.
LUCAS, John, "A Tribute to Geoffrey Hill" (C), New Statesman (December 13, 1996) p.
LYON, John, "‘Pardon?’: Our Problem with Difficulty (and Geoffrey Hill)" (TL), Thumbscrew 13 (Spring-Summer 1999) p.11-19.
—, "‘What are you incinerating?’ Geoffrey Hill and Popular Culture," English 54.209 (Summer 2005) p.
—, "Geoffrey Hill, Scenes from Comus," The Poetry Review 95.1 (Spring 2005), p.
—, "Self and Love," PN Review 32.6 (July-August 2006) p.66-77.
—, "Hill Climbing," PN Review 33.3 (January-February 2007) p.4.
—, "'Que voulez-vous incinérer?': Geoffrey Hill et la culture populaire" in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.117-135.
MACFARLANE, Robert, "Gravity and Grace in Geoffrey Hill," Essays in Criticism 58.3 (July 2008) p.237-256.
MACKINNON, Lachlan, "The Matter with England" (C), Times Literary Supplement (January 17, 1997) p.23.
MACKINTOSH, Paul, "Two Modern Christian Poets," Contemporary Review 261, 1521 (October 1992) p.204- 212.
MACVEAN, Jean, "Geoffrey Hill: Pentacost Castle or Siege Perilous," Agenda 23.3-4 (Autumn-Winter 1985-1986) p.21-24.
MAHAN, David C., An Unexpected Light: Theology and Witness in the Poetry and Thought of Charles Williams, Micheal O'Siadhail, and Geoffrey Hill, Princeton Theological Monograph Series, Pickwick Publications, 2008.
MALCOLM, David, "‘As Deep as England’: The Ironies of English History in Poems by Ted Hughes, Geoffrey Hill, and Tony Harrison," Grove, Working Papers on English Studies 10 (2003) p.85-99.
MARIANI, Paul, "The Limits of the Ineluctable" (OS), America, The National Catholic Weekly (September 9, 2002) p .
MARSHALL, Alan, "A Grand and Crabby Music," Telegraph (Feburary 20, 2005) p.
—, "An uncompromising genius at his peak" (WT), Telegraph, (February 12, 2006) p.
MARTIN, Tim, "O Hendrix, player of neumes" (WT), Independent (February 5, 2006) p.
—, "A Treatise of Civil Power" (TCP), Independant, (September 9, 2007) p.
MARTIN, Wallace D., "Beyond Modernism: Christopher Middleton and Geoffrey Hill," Contemporary Literature, University of Wisconsin 12.4 (Autumn 1971) p.420-436.
MASSEY, Alan, "Geoffrey Hill" (CP), Agenda 23.3-4 (Autumn-Winter 1985-1986) p.18-20.
—, "Relating to Judgement" (EC), Agenda 30.1-2 (Spring-Summer 1992) p.64-69.
MATTHEWS, David, "A Distant Fury of Battle: A Composer’s Response to Geoffrey Hill’s ‘Funeral Music,’" Agenda 30.1-2 (Spring-Summer 1992) p.93-95.
MATTHEWS, Steven, "A Voice Assailed: Geoffrey Hill," Poetry Durham 30 (1992) p.
—, "‘A Different Country’: Housman and Hill," English 53.206 (Summer 2004) p.135-147.
—, "Without Title" (WT), Stand 7.2, 182 (2007) p.67-68.
MATTHIAS, John, "British Poetry at Y2K," EBR 10 (uncertain date) p.
MAY, Derwent, "Comus Complicatus" (SC), Times (January 8, 2005) p.
MCDONALD, Peter, Serious Poetry, Form and Authority from Yeats to Hill, Oxford: OUP, 2002.
—, "Pulling Through" (OS), Literary Imagination 5.2 (Spring 2003) p.267-285.
—, "Difficulty, Democracy, and Modern Poetry," PN Review 161, 31.3 (January-February 2005) p.19-24.
—, "Truly Apart," Times Literary Supplement (1 avril 2005) p.13.
—, "Alive to the Past" (TCP), Guardian (August 18, 2007) p.
—, "La patience de Geoffrey Hill," in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.183-195.
MC GUINN, Nicholas, "A Place for the Personal Voice? Gunther Kress and the English Curriculum," Changing English 12.2 (August 2005) p.205-217.
MC HALE, Brian, "Archeologies of Knowledge: Hill’s Middens, Heaney’s Bogs, Schwerner’s Tablets," New Literary History 30.1 (Winter 1999) p.239-262 reprinted in McHale, The Obligation toward the Difficult Whole: Postmodernist Long Poems, Tuscaloosa: University of Alabama Press, 2004.
McHenry, Eric, "Poet Geoffrey Hill wins 1998 Kahn Award for Canaan," B.U. Bridge (June 5, 1998) p.
MC LOUGHLIN, Paul, Letter, PN Review (2007) p.
MCNEES, Eleanor J., Eucharistic Poetry: The Search for Presence in the Writings of John Donne, Gerald Manley Hopkins, Dylan Thomas, and Geoffrey Hill, London, Toronto: Associated University Presses, 1992.
MC NEILLIE, Andrew, "Two Sonnets for Geoffrey Hill," Clutag Poetry Leaflet no.12, [2005].
MEDCALF, Stephen, "Dreaming of France" (MCP), Times Literary Supplement (January 27, 1984) p.76.
MEINERS, R.K., "Mourning for Ourselves and for Poetry, Centennial Review 35.3 (Autumn 1991) p.
MERRIMAN, Emily, "‘Whatever’: God as Absent Presence in the Poetry of Geoffrey Hill, Derek Walcott, and Charles Wright," Thesis, Boston University, 2007.
—, "'Metamorphic Power': Geoffrey Hill and Gerard Manley Hopkins," in Adrian Grafe (ed.), Ecstasy and Understanding: Religious Awareness in Enlgish Poetry from the Late Victorian to the Modern Period, Continuum, 2008, p.145-160.
MEYER, Stephen, "Funeral Music," Grand Street 7.2 (Winter 1988) p.229- 245.
—, "Geoffrey Hill" (N&C, EC), Partisan Review 63.1 (Winter 1996) p.162-167.
MILLER, Chris, "Geoffrey Hill: Era and Antiphon," Agenda 30.1-2 (Spring 1992) p.96-113.
MILNE, W.S. Milne, "‘Creative tact’: Geoffrey Hill’s King Log" (KL), Critical Quarterly 20.4 (Winter 1978) p.39-45.
—, "The Pitch of Attention," Agenda 17.1 (1979) p.25-37.
—, "Geoffrey Hill's Mercian Hymns" (MH) Ariel 10 (1979) p.43-63.
—, "‘Spes Nostra, Salve !’" (CP), Agenda 23.3-4 (Autumn-Winter 1985-1986) p.25-26.
—, "‘The Patient Music of Thought’: Geoffrey Hill’s The Enemy’s Country" (EC), Agenda 30.1-2 (Spring-Summer 1992) p.70-92.
—, "Too Many Alibis," Letter (C, TL), London Review of Books 21.15 (July 29, 1999) p.
—, "Geoffrey Hill: Speech! Speech!" (SS), Agenda 38.1-2 (Winter 2001) p.139-143.
—, "Geoffrey Hill’s The Orchards of Syon" (OS), Stand 3.4-4.1, 172 (2002) p.40-42.
—, "On Leavis and Geoffrey Hill," Letter, Times (April 18 2003) p.
—, Letter, Times Literary Supplement (22 July 2008)?
MORRISON, Blacke, (TL), Independent, 24 janvier 1999.
MOUCHARD, Claude, Qui si je criais, Œuvres-témoignages dans les tourmentes du XXe siècle, Laurence Teper, 2007, p.
MOUNIC, Anne, (TL), Europe (2008) p.
MOULIN, Joanny, "Mémoire sélective de Geoffrey Hill," in Taffy Martin (ed.), Voix de mémoire, Fajoles: Le Nœud des Miroirs, 1997, p.143- 154.
—, "L'idéologie de Geoffrey Hill" in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.99-116.
MULLEN, Benjamin, (SP), Oxford Poetry 12.2 (Spring 2007) p.

Critical Studies: Articles, Reviews & Chapters in Books N-P

NICHOLAS, Aidan, "Grace and Disgrace: A Theological Reading of Geoffrey Hill’s Poetry," Studies in Western Civilisation 3.4 (Autumn 1997) p.336-355.
NICHOLS, Martin, "Geoffrey Hill: a letter from the edge," Cambridge Review (May 1997) p.39-41.
NOEL-TOD, Jeremy, "Curious and Furious" (SS), Guardian/Observer (January 20, 2002) p.16.
—, "Awkward Bow" (OS), London Review of Books 25.5 (March 6, 2003) p.27-28.
—, (TCP), The Telegraph (August 16, 2007) p.
—, "True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell Under the Sign of Eliot and Pound by Christopher Ricks: review," Telegraph (April 15, 2010).
NORBROOK, DAVID, "Shaggy Fellows" (CP), London Review of Books 9.13 (July 9, 1987) p.22-23.
NORTH, Michael, "The Word as Bond: Money and Performative Language in Hill’s Mercian Hymns," ELH Journal of English Literary History 54.2 (Summer été 1987) p.463-81.
NYBERG, Lennart, "‘Fatness’ in Pound and Hill," Studia Neophilologica: A Journal of Germanic and Romanic Language and Literature 69.2 (1997) p.203-211.
NYE, Robert, "Ice-Cold, Astringent Talent" (CP) The Times, (December 12, 1985) p.12.
—, "Poetry through a wall of ice" (WT), The Tablet (February 25, 2006) p.
O’BRIEN, Sean, "Geoffrey Hill: The England Where Nobody Lives," ch.3 in O'Brien, The Deregulated Muse, Newcastle upon Tyne: Bloodaxe, 1998, p.41-48.
—, "Milton revisited proves a steep Hill to climb" (SC), The Independent (March 2, 2005) p.
—, "A Treatise of Civil Power" (TCP), The Times (August 19, 2007) p.
O’GORMAN, Kathleen, "Semiotics and the Poetry of David Jones and Geoffrey Hill" in C.C. Barfoot (ed.), In Black and Gold: Contiguous Traditions in Post-War British and Irish Poetry, Amsterdam: Rodopi, 1994, p.67-77.
O’NEILL, Michael, The All Sustaining Air: Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900, Oxford: OUP, 2007.
ORMSBY, Eric, "A Sad and Angry Summa" (TL), New Criterion 17.6 (February 1999) p.64-71.
—, "Shadow language" (OS), New Criterion 21.8 (April 2003) p.
—, "A Grand and Crabby Music" (SC), The New York Sun (March 3, 2005) p.
—, "The Perils of Pity" (SC), The New York Sun (March 9, 2005) p.
OXLEY, Brian, "Geoffrey Hill’s ‘Christian Year,’" Essays in Criticism 29 (1979) p.285-292.
PADEL, Ruth, "The Sunday Poem: No.30 Geoffrey Hill" Independent (July 4, 1999) p.
—, "Geoffrey Hill, Mercian Hymns VI" in Padel, The Poem and the Journey, London: Chatto & Windus, 2007, p.133-137.
PAGNOULLE, Christine, "Music Alone Survives? Collapsing Faith in some Sonnets by G.M. Hopkins and Geoffrey Hill," Cahiers Victoriens et Edouardiens 42 (November 1995) p.91-107.
PALMA, Douglas A., "Geoffrey Hill: Las puas del puercoespin," in Revista Aleph (date?) p.
PAULIN, Tom, "The Case for Geoffrey Hill," London Review of Books (April 4, 1985) p.
—, "A Visionary Nationalist: Geoffrey Hill," in Minotaur: Poetry and the Nation State, Cambridge, MA: Harvard UP, 1992, p.276-84.
PAYNE, Tom, "They Call Him Chuckles" (OS), Telegraph (September 28, 2002) p.
PEARSON, Gabriel, "King Log revisited," in P.Robinson (ed.), Geoffrey Hill: Essays on his Work, 1985, p.31-48.
PECK, John, "Tenebrae," Agenda 17.1 (1979) p.13-24.
PESTELL, Alex, "Masques and Masking: Geoffrey Hill’s Scenes from Comus" (SC), Signals 2 (Summer 2005).
—, (TCP), Signals 3 (Spring 2006).
—, (CCW), Textual Practice 22.3 (2008) p.588-592.
PHILIPS, Brian, "A Colder Spell to Come" (SC, WT), Poetry 188.2 (May 2006) p.139-47.
PHILLIPS, Carl, "Like Fragments in Hard Voyages," Harper's Magazine (September 2000) p.
POLONSKY, Rachel, (SS), Evening Standard (November 12, 2001) p.
—, (C), Cambridge Review (May 1997) p.57-61.
POOLE, Adrian, "Hill’s ‘version’ of Brand," in P.Robinson (ed.), Geoffrey Hill: Essays on his Work, 1985, p.86-99.
PORDZIK, Ralph, "‘History as Poetry’. Über einige historische Aspekte in der jüngeren Lyrik Geoffrey Hills," Arbeiten aus Anglistik und Amerikanistik 19.2 (1994) p.201-221.
—, Signaturen der Postmoderne: Lyrik als Paradigma postmoderner Literatur. Eine Untersuchung ihrer Formen und Funktionen am Beispiel der Dichtung Geoffrey Hills, James Fentons, Fleur Adcocks und Tom Paulins, Essen: Blaue Eule, 1996.
—, "Die Postmoderne als eine Ästhetik des Erhabenen : barocke Elemente in Geoffrey Hills Sonettzyklus ‘Lachrimae ; or, Seven Tears Figured in Seven Pasionate Pavans,’", Zeitschrift für Anglistik und Amerikanistik 44.1 (1996) p.11-26.
—, "Das poetische ich als dezentrierte Persönlichkeitsstruktur: eine Darstellung am Beispiel von Geoffrey Hills Gedichtzyklus ‘The Songbook of Sebastian Arrurruz,’" Sprachkunst, Beiträge zur Literaturzissenschaft 28.1 (1997) p.97-110.
POTTS, Robert, "A change of address" (SS), Times Literary Supplement (January 25, 2002) p.25.
—, "The Praise Singer" (OS), Guardian (August 10, 2002) p.
—, "Continuing Explorations" (WT), Observer (January 22, 2006) p.
—, "Poetry Reading," (Clutag CD), Times Literary Supplement (January 26, 2007) p.
—, "'To the High Court of Parliament: November 1994' by Geoffrey Hill; introduced by Robert Potts," Times Literary Supplement (June 8, 2009), p.
POWELL, Neil, (TCP), Telegraph (September 1, 2007) p.
PYBUS, Rodney, "‘What fun…and Strange Beauty" (OS), Stand 3.4-4.1, 172 (2002) p.30-36.

Critical Studies: Articles, Reviews & Chapters in Books Q-S

QUINN, Justin, "Geoffrey Hill in America," Yale Review 89.4, (2001) p.146-66.
RÁCZ, István D., "Heaneys of the Mind," Hungarian Journal of English and American Studies, 10.1-2 (Spring-Autumn 2004) p.127-136.
RAJAMAE, Pilvi, "History as Poetry: Geoffrey Hill's England," Interlitteraria (1999) p.315-323.
RATCLIFFE, Sophie, "Awkward Beauty" (TCP), New Statesman, (October 11, 2007) p.
RATNER, Rochelle, (SS), Library Journal, (November 1, 2000) p.86.
REA, Norman, "9.9.42 HILL, Geoffrey W," Agenda 30.1-2 (Spring-Summer 1992) p.114-125.
REDDY, Srikanth, "Sourpuss Eidolon" (C), New Republic (June 22, 1998) p.
REDMOND, John, "The Eternal Struggle" (C), The Guardian (10 octobre 1997) p.
—, "Autocriticker" (SS), Poetry Review 92.1 (Spring 2002) p.
REID, Christopher, "The Shot that Killed Jean Jaurès" (MCP), Sunday Times (Sunday, June 12 1983) p.45.
RICHMAN, Robert, "‘The Battle it was Born to Lose’: the Poetry of Geoffrey Hill," New Criterion (April 1984) p.22-34.
RICKS, Christopher, (review Preghiere), New Statesman 68.1741, (July 24, 1964) p.175-9.
—, "Cliché as 'Responsible Speech': Geoffrey Hill," London Magazine 4.8 (1964) p.96-101.
—, (KL), Times, (Sunday, September 15, 1968) p.62.
—, "Overlord of the M5 – Christopher Ricks discusses a new book of prose poems, Mercian Hymns by G. Hill," Listener (August 26, 1971) p.274.
—, "Tenebrae and at-one-ment," in P. Robinson (ed.), Geoffrey Hill: Essays on his Work, 1985, p.62-85.
—, The Force of Poetry [1984], Oxford, Clarendon, 1995, p.285-368.
—, True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell Under the Sign of Eliot and Pound, New Haven & London, Yale University Press, 2010.
ROBERTS, Andrew Michael, "Variation and False Relation in Geoffrey Hill’s Tenebrae," Essays in Criticism 43.2 (April 1993) p.123-143.
—, "‘Routine Terror’: Violence and Bureaucracy in the Work of Jonathan Swift and Geoffrey Hill," in Elizabeth Maslen (ed.), The Timeless and the Temporal, QMW, 1993, p.404-26.
—, "Romantic Irony and the Postmodern Sublime: Geoffrey Hill and Sebastian Arrurruz," in Edward Larrissy (ed.), Romanticism and Postmodernism, Cambridge, CUP, p.141-56.
—, "Geoffrey Hill and Pastiche: ‘An Apology for the Revival of Christian Architecture in England’ and The Mystery of the Charity of Charles Péguy," Yale Journal of Criticism 13.1 (Spring 2000) p.153-66.
—, "Geoffrey Hill," The Literary Encyclopedia (published on-line 1 octobre 2004).
—, "Acceptable Words: Essays on the Poetrey of Geoffrey Hill, by Jeffrey Wainwright," Review of English Studies 57 (November 2006) p.854-856.
ROBERTS, Neil, "Utterance and Resistance: Geoffrey Hill," in Roberts, Narrative and Voice in Postwar Poetry, London: Longman, 1999, p.72-89.
ROBICHAUD, Paul, "Gothic Architecture in the Poetry of David Jones and Geoffrey Hill," Mosaic 35.4 (December 2002) p.181-197.
ROBINSON, Alan, "History to the Defeated: Geoffrey Hill’s The Mystery of the Charity of Charles Péguy" in Robinson, Instabilities in Contemporary British Poetry, London: MacMillan, 1988, p.62-81.
ROBINSON, Peter, "Standing by Moving" (MCP), English 32.4 (1983) p.
—, "Reading Geoffrey Hill," in P. Robinson (ed.), Geoffrey Hill, Essays on His Work, 1985, p.196-218.
—, In the Circumstances: About Poems and Poets, Oxford: Clarendon, 1992, p.105-141.
—, "Toiling in a Pitch" (C), Cambridge Quarterly 26.3 (1997) p.263-269.
—, "The Triumph of Love" (TL) Notre Dame Review 8 (Summer 1999) p.138-142.
—, "Laugh, damn you!" (OS), Tears in the Fence 34 (Spring 2003) p.
ROEFFAERS, Hugo, Engles Kwintet: Essays over Ted Hughes, Geoffrey Hill, Seamus Heaney, Craig Raine and Robert Graves, Leuven: Acco, 1986.
—, "Geoffrey Hill: Lacrimae amantis," Streven 59.6 (1992) p.517-524.
ROGERS, David (SS), World Literature Today (2002) p.132.
ROMER, Stephen, (TL), Poetry Review (Poetry Society) 89:2 (Summer 1999) p.
ROWLAND, Antony, Holocaust Poetry: Awkward Poetics in the Work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes, Edinburgh: Edinburgh University Press, 2005.
RUMENS, Carol, "Poem of the Week: 'Tristia: 1891-1938,'" Guardian (August 4, 2008) p.
SANGER, Peter, "Sobieski’s Shield: On Geoffrey Hill’s The Enemy’s Country (1991) and New and Collected Poems (1994)" Antigonish Review 109 (Spring 1997) p.133-150.
SCHMIDT, A.V.C., "‘Darkness Echoing’: Reflections on the Return of Myhopoeia in Some Recent Poems of Geoffrey Hill and Seamus Heaney," Review of English Studies 36, 142 (May 1985) p.199-225.
SCHMIDT, Michael et LINDOP, Grevel (eds), British Poetry since 1960, A Critical Survey, Oxford: Carcanet, 1972, p.143-162.
SCHMIDT, Michael, (OS), Independent (January 20, 2003) p.
—, "Lament for Lost Love from a Bard of Bleak Beauty" (WT), Independent (February 17, 2006) p.
—, "Editorial," PN Review 32.6 (July-August 2006) p.1.
SELL, Roger, (EC), Review of English Studies 45 (1994) p.298-300.
SHAW, Robin (ed.), Three Bromsgrove Poets, Geoffrey Hill, Molly Holden, A.E. Housman, Bromsgrove: Housman Society, 2003.
SILKIN, Jon, "The Poetry of Geoffrey Hill," in M. Schmidt and G. Lindop (eds), British Poetry Since 1960. A Critical Survey, Oxford: Carcanet, 1972, 143-162, and "The Poetry of Geoffrey Hill," Iowa Review 3 (1972) p.108-128.
—, "War and the Pity," in P. Robinson (ed.), Geoffrey Hill, Essays on His Work, 1985, p.114-128.
SISSON, C.H., "Geoffrey Hill," Agenda, 13 (1975) p.23-28.
—, "Geoffrey Hill," Agenda 30.1-2 (Spring 1992) p.126-127.
SONJAE, An, "From Cardiff to Canaan: R.S. Thomas and Geoffrey Hill," in Hyondai Yongmisi Yongu (Studies in Modern British and American Poetry) 2 (1997) p.5-29.
SPIVEY, Nigel, (C), Spectator (October 26, 1996) p.
STAUDT, Kathleen Henderson, "The Thorny Craftmanship of Geoffrey Hill," Contemporary Literature 29.4 (Winter 1988) p.644-653.
STEAD, Alistair, "Geoffrey Hill: In impiam memoriam," Stand 3.4-4.1, 172, 2002, p.45-49.
STEINER, George, (LL), Times (Sunday, May 13, 1984) p.42.
STEVENSON, Anne, "Exasperating Genius" (CP), Poetry Review 76.3 (Octobre 1986) p.42-44.
STREITFIELD, David (TL), Washington Post (January 24, 1999) p.
SWARBRICK, Andrew, "Modern Perplexity," Critical Quarterly 28.3 (Autumn 1986) p.

Critical Studies: Articles, Reviews & Chapters in Books T-Z

TAYLOR, John, (C), Poetry (July 1998) p.
THOMPSON, Colin, "‘The resonances of words’: Lope de Vega and Geoffrey Hill," Modern Language Review 90.1 (1995) p.55-70.
—, "Translation and the Art of Poetry: Cancionero Poetry and Geoffrey Hill’s ‘The Pentacost Castle’ (1979)," Bulletin of Hispanic Studies 75.1 (January 1998) p.31-54.
THWAITE, Anthony, "A Tough Enterprise" (OS), Telegraph, (August 25, 2002) p.
—,"‘Utterly Speakable,’" (SC), Telegraph (Feburary 2, 2005) p.
TOOLAN, Michael, "Approaching Hill's ‘Of Commerce and Society’ through Lexis" in Peter Verdonk (ed.), Twentieth-Century poetry: from Text to Context, London: New York, Routledge, 1993, p.32-45.
TRANTER, Mark, "‘Tempestuous Fantasies’ of the Exemplary Figure: Geoffrey Hill’s ‘Scenes with Harlequins,’" English 46.184 (Spring 1997) p.39-59.
WAINWRIGHT, Jeffrey, "‘The Speechless Dead’: Geoffrey Hill’s King Log," Stand 10.1 ( ) p.44-49.
—, "Geoffrey Hill’s ‘Lachrimae,’" Agenda 13.3 (Autumn 1975) p.31-38.
—, "Geoffrey Hill’s Tenebrae," Agenda 17.1 (1979) p.4-12.
—, "The Mystery of the Charity of Charles Péguy," in Robinson (ed.), Geoffrey Hill, Essays on his Work, 1985, p.100-113.
—, tr., Charles Péguy, The Mystery of the Charity of Joan of Arc, adapted from Jean-Paul Lucet, Manchester: Carcanet / PN Review, 1986.
—, "‘History as Poetry’ Geoffrey Hill: ‘Churchill’s Funeral’ and ‘De Jure Belli Ac Pacis,’" Agenda 34.2 (Summer 1996) p.49-65.
—, "Geoffrey Hill: The Triumph of Love," PN Review 26.5, 133 (May-June 2000) p.13-21.
—, (WT), Poetry Review 96.4 (Winter 2006-2007) p.
—, "'La beauté est chose difficile': Geoffrey Hill et le modernisme littéraire" in R. Gallet and J. Kilgore-Caradec (eds), La poésie de Geoffrey Hill et la modernité, 2007, p.39-56.
WAITHE, Marcus, "‘Whose Jerusalem?’ – Prophecy and the Problem of Destination in Geoffrey Hill’s ‘Canaan’ and ‘Churchill’s Funeral,’" English 51.201 (Autumn 2002) p.
—, "The slow haul to forgive them: Geoffrey Hill and the Second World War," PN Review 31.1 (September-October 2004) p.77-80,
—, "Angry and Engaged," PN Review 31.3 (January-February 2006) p.85-86,95.
WALKER, Peter K., "The Poetry of Geoffrey Hill," Cambridge Review (June 1985), p.101-6.
—, "A Note on Bonhoeffer," Agenda 30.1-2, (Spring-Summer 1992) p.128-138.
—, "Geoffrey Hill – Colourist and Cry," Agenda 34.2 (Summer 1996) p.76-87.
—, "'Accurate Music': Geoffrey Hill's anatomy of melancholy," Cambridge Review (May 1997) p.34-38.
—, "The Triumph of Love: Geoffrey Hill’s Contexture of Grace," Sewanee Theological Review 44.3 (Spring 2001) p.275-298.
—, "Le problème de Dieu: 'De Anima'" in R. Gallet and J. Kilgore-Caradec (eds), La Poésie de Geoffrey Hill et la modernité, 2007, p.197-210.
WALL, Alan, "Geoffrey Hill’s Canaan," Agenda 34.2 (Summe 1996) p.29-48.
WALTHEER, Elizabeth, "Geoffrey Hill’s Critical Nostalgia," in J. Bakker, J.A. Verleun, J. Vriesenaerde (eds), Essays on English and American Literature and a Sheaf of Poems, Amsterdam: Rodopi, 1987, p.165- 171.
WALTON, Peter, "Towards Stasis: A Reading in the Poetry of Geoffrey Hill," Agenda 34.2 (Summer 1996) p.66-75.
—, "Hill’s Necessary Psalms," Agenda 37.2-3, 2000, p.228-244.
WARDWELL, James, "Restoring the Broken Themes of Praise: Geoffrey Hill's Ectocentric Christianity," Stonework 2 (May 2006) p.
WARMAN, April, (OS), Oxonian Review 4.2 (2005) p.
—, (WT), Poetry Matters (March 2006).
WEATHERHEAD, A.K., "Geoffrey Hill," The Iowa Review 8.4 (Autumn 1977) p.104-116.
WEBB, Igor, "Speaking of the Holocaust: The Poetry of Geoffrey Hill," Denver Quarterly 12.1 (Spring 1977) p.114-125.
WEISMAN, Karen A., "Romantic Constructions and Epic Subversions in Geoffrey Hill’s Mercian Hymns," Modern Language Quarterly 57.1, 1996, p.37-49.
WESLEY, Edward, "Incarnation as Framework and Movement in Geoffrey Hill’s Mercian Hymns," in Brigid Brady and Patricia Verrone (eds), Proceedings of the Northeast Region Annual Meeting, Conference on Christianity and Literature: Christ Plays, Caldwell College, 2005, p.35-37.
WILLIAMS, David-Antoine, "The Book of the Week: Geoffrey Hill, Collected Critical Writings" (CCW), Times Higher Education (March 20, 2008) p.
WILMER Clive, "An Art of Recovery: Some Literary Sources for Geoffrey Hill’s Tenebrae," Agenda 30.1-2 (Spring-Summer 1992) p.139-158.
—, "Winter’s Tale" (WT), New Statesman (February 27, 2006) p.
WILSON, A.N., "A phoenix rising from European ashes" (OS), Spectator (September 7, 2002) p.
—, "Hill is right: he’s not at his best," (SC), Telegraph (April 25, 2005) p.
WILSON, Frank, "Putter, mutter, allude" (OS), Philadelphia Inquirer (August 18, 2002) p.
WILSON, Nelly, "Geoffrey Hill: The Mystery of the Charity of Charles Péguy," L’amitié Charles Péguy 7.26 (April-June avril-juin 1984) p.125-6.
WOOD, James (C, TL), London Review of Books, 21.13, (July 1, 1999) p.
WOOTTEN, William G., "The Aesthetics of History in the Modern English Long Poem: David Jones's The Anathemata, Basil Bunting's Briggflatts, Geoffrey Hill's Mercian Hymns, and Roy Fisher's A Furnace," Ph.D. Thesis, University of Durham, 1998.
—"Rhetoric of Violence in Geoffrey Hill’s Mercian Hymns and the Speeches of Enoch Powell," Cambridge Quarterly 29.1 (2000) p.1-15.
YEZZI, David,  "Shorter notice" (B), New Criterion (March 1997) p.
—, (C), Commonweal (November 7, 1997) p.
—, "Geoffrey Hill's Civil Tongue " (TCP), The New Criterion (March 26, 2008), p.22.
ZAWACKI, Andrew, "Poetry: The Triumph of Love" (TL), Boston Review (February-March 1999) p.


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