tag:blogger.com,1999:blog-8202187440961705462024-03-14T06:50:01.910+01:00Geoffrey Hill ZingerJKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comBlogger105125tag:blogger.com,1999:blog-820218744096170546.post-63929312109086519572016-11-13T11:11:00.002+01:002020-03-26T10:55:16.703+01:00An 'ethical' response to 11/9 and 9/11<div style="text-align: justify;">
This post is written from Paris on November 13, one year after the brutal killing and wounding of (mainly) young (mainly) French people sitting at cafés, watching a sporting event, and going to a concert. A number of them are still in the hospital receiving treatment for their wounds. We all know what terrorism is, and the sad fact that it plays on ignorance and destroys innocent people. Brainwashing is usually required to get people to kill other people and to blow themselves up.</div>
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As we begin to cope with the fact that an alt-right candidate is now president elect of a leading democracy, and brace for further hate-crimes (these first days of no response from Donald Trump about incidents of school bullying and unleashed racist slurs do not reassure!), those who read Geoffrey Hill's poetry may feel that they have been prepared, somehow, to resist. For many Americans, that is the only course of viable action. Shocking was the way distorted language colored the campaign, and most likely distortions of language will only get worse. </div>
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The sermon Rowan Williams gave at Emmanuel College for the funeral of Sir Geoffrey Hill actually addressed the role of poetry and language.</div>
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<span style="background-color: white; color: #525252; font-family: "verdana" , "geneva" , "arial" , "helvetica" , sans-serif; font-size: 11.199999809265137px;">It is true that poetry is not ‘about’ passive endurance; just as true that it is not ‘about’ inspiring readers to political action, even political violence.</span></blockquote>
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Yet --</div>
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<span style="background-color: white; color: #525252; font-family: "verdana" , "geneva" , "arial" , "helvetica" , sans-serif; font-size: 11.199999809265137px;">Poetry is a real good, and not the only one. It is an aspect of the hunger for justice. It must do justice in its wording and do what it can to carry stresses that are not only </span><i style="color: #525252; font-family: verdana, geneva, arial, helvetica, sans-serif; font-size: 11.199999809265137px;">its</i><span style="background-color: white; color: #525252; font-family: "verdana" , "geneva" , "arial" , "helvetica" , sans-serif; font-size: 11.199999809265137px;"> business. And, as he suggests almost casually, one of the most significant ways in which poetry does this is by memorialising the dead. Geoffrey’s readers will recognise at once the centrality of this to his own practice: if poetry cannot be either propagandist or exquisite, one thing it is singularly equipped for is doing justice to the past of words and speakers, giving voice in a multitude of ways to that always-present cloud of witness, about whose fate in one sense we can do nothing, yet whose life and voice is in some way in our hands.</span></blockquote>
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Poetry, Hill's poetry (and that of Auden, MacNeice, Pound, Yeats, Sitwell, Hernández, Celan...) may be the language the United States needs most now. And plenty of satire will also be needed. As Hill said in his <i>Paris Review</i> interview (2000), "genuinely difficult art is truly democratic." It counters propaganda's binary simplifications.</div>
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<i>Broken Hierarchies</i>, published by <a href="https://global.oup.com/academic/product/broken-hierarchies-9780198713180?cc=us&lang=en" target="_blank">Oxford University Press</a>.<br />
Rowan Williams, "Sir Geoffrey Hill," <i>PN Review</i> 43:2 (<a href="http://www.pnreview.co.uk/cgi-bin/scribe?item_id=9781" target="_blank">2016</a>).<br />
"Geoffrey Hill, the Art of Poetry #80," <i>Paris Review</i> 154 (<a href="http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill" target="_blank">Spring 2000</a>).JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-1493050579608121222016-07-14T07:17:00.000+02:002016-07-14T07:26:49.137+02:00Glad and Proud to be English Working ClassMatthew Bannister reminds listeners on BBC Radio 4's Last Word program (<a href="http://www.bbc.co.uk/programmes/b07j7nv9#play" target="_blank">July 8 and 10, 2016</a>) that Sir Geoffrey Hill said he was "glad and proud to have been born into the English Working Class." Let the great poet walk around in your mind's eye by listening to his wife and Robert Potts speak about his poetry.<br />
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Robert Potts situates Hill as a religious poet in line with George Herbert and Gerard Manley Hopkins. Alice Goodman recalls that Seamus Heaney suggested in 1978 that she read Geoffrey Hill and David Jones, as the most important poets of Britain, while she was an undergraduate at Harvard. Her encounter with Hill's poetry only happened after she had the experience of Hill as lecturer. "He was wonderfully funny," she said, describing how the humor she felt was both intentional and unintentional on his part. Hill's voice reciting passages from his poetry may also surprise — as though they were directed to events of this past week. <br />
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The eight minutes or so devoted to Hill in this BBC broadcast occur within the context of other recent losses, including Elie Wiesel, described by Barack Obama as "one of the great moral voices of our time." Menachem Rosensaft speaks here of his "imperative to bear witness."<br />
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Matthew Bannister, The Last Word, produced by Dianne McGregor, BBC Radio 4 (<a href="http://www.bbc.co.uk/programmes/b07j7nv9#play" target="_blank">July 8 and 10, 2016</a>).<br />
<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-75973647110033705862016-07-06T10:18:00.000+02:002016-07-06T10:18:09.271+02:00Private Eye Tribute to Sir Geoffrey<div class="separator" style="clear: both; text-align: center;">
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Not British myself, nor a regular reader of <i>Private Eye</i>, I gather it is primarily a journal that satirizes politics and society, so this tribute is particularly meaningful for a poet who was always thinking about shaping a better world. This is the cover of the current issue:<br />
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<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-62410437218502507602016-07-04T07:00:00.000+02:002016-07-18T15:25:03.408+02:00Geoffrey Hill, June 18, 1932 - June 30, 2016 <div class="separator" style="clear: both; text-align: center;">
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If there is a poet's heaven, it might well look like this ———</div>
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But one could also make an argument that a poet's paradise is wherever his or her heart is happy. There is no doubt that Sir Geoffrey's heart was happy with Reverend Alice Goodman, and in his last home, at The Rectory, among the dogs and cats. There he often wrote poetry in the garden, next to flowers planted by his wife. Alice gave him just the right circumstances to write in, and she was also his perfect critic, a reader (and writer) whose judgments of his words he valued and trusted. He drew colorful sketches for her of a World War I <i>poilu</i>, and several of his later works were dedicated to her.</div>
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She was also the one to announce his death to the world in a tweet. A tweet is such a small sound, a bird singing, not heard over the louder noises of the world, not heard over the traffic of cars, over the machinery that inevitably never stops moving. Yet a tweet arrives to family members all over the globe in seconds. It can be quickly seen by dear friends. The electronic tweet in 140 characters or less, offered the constraint of containment. It was sent just before noon on Friday, and said:</div>
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<span style="color: blue;">Please pray for the repose of the soul of my husband, Geoffrey Hill, who died yesterday evening, suddenly, and without pain or dread.</span></div>
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A tweet is also a public statement, in that when it is noticed, social media and the press will eventually follow. But this tweet is quiet.: 'Please pray', 'repose', 'soul'. It offers comfort: 'without pain or dread'. The sheer hard factual impact of the middle words 'who died yesterday evening, suddenly' has been carefully composed. And then, one may perceive, that there is yet a flood of pain: 'my husband'.</div>
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He was not just the greatest living poet in the English language, he was also a husband and a father.</div>
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Sir Geoffrey Hill, Oxford Professor of Poetry, has been celebrated in France in large part thanks to René Gallet who encountered his work in the late 1960s, and read <i>King Log</i> as a young man. His translations of Hill's poems, especially <i>Scènes avec Harlequins</i> (1998), and <i>Le Triomphe de l'amour </i>(2007), led to larger interest in Hill in France, and since the 1990s, he has been the object of numerous doctoral theses. Hill made occasional visits to France, drawing inspiration for his poetry there. His visits also included readings at the University of Caen (2008), the Collège de France (2008), the Ecole Normale Supérieure (2012), and the Institut Catholique de Paris (2013). Accompanied by Kenneth Haynes, Hill made a public visit to Charles Péguy's grave at Villeroy in 2013.</div>
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Sir Geoffrey Hill died on June 30, 2016, amid the loud noises of Brexit that managed to drown out the 100th anniversary commemoration of the carnage of the Battle of the Somme. His passing was immediately followed by the death of the greatest living French poet, Yves Bonnefoy on July 1, and then on July 2, by Elie Wiesel and Michel Rocard. All four were strongly marked by World War II, and lived their lives trying to promote a more just and peaceful world. As circumstance has it, both Hill and Wiesel were teaching at Boston University at the same time, in the Professor's program, where Hill's office was located on the floor above Wiesel's.</div>
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While Sir Geoffrey probably never typed a tweet or used Facebook, I suspect he occasionally looked over his wife's or daughter's shoulder to find out what was being said. If he is still somehow there, looking over his children's shoulders, here is what he will be seeing:</div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;">Geoffrey Hill has died. If there's a greater poem published in my lifetime than <i>The Triumph of Love</i>, I haven't read it. -- Tim Kendall</span></div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;">I am heartbroken by the thought that this great poet, this great European, died so close to the tremors of our national crisis. His poetry has been a fierce and intelligent solace in dark times over this past week -- Karl O'Hanion </span></div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;">A tremendous loss. He was a poet and a person to be reckoned with. -- Dylan Willoughby</span></div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;"><span style="background-color: white; letter-spacing: -0.23999999463558197px; text-align: start;">I</span><span style="background-color: white; letter-spacing: -0.23999999463558197px; text-align: start;"> first encountered Sir Geoffrey Hill's poetry in the 1980s, as a young law student in Washington DC, picking up a remainder copy of 'The Mystery of The Charity of Charles Peguy'. No other poet has had more of an impact on me since. -- Clif Wiens</span></span></div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;"><span style="background-color: #f6f7f9; letter-spacing: -0.23999999463558197px; text-align: start;">What Hill said of Stallworthy also applies to himself: "He was a luminary of our time." -- Christopher Lee Miles</span></span></div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;">Geoffrey Hill, the greatest British writer, has died. A ridiculous week concludes with the most appalling loss. -- Bryan Appleyard</span></div>
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<span style="color: blue; font-family: "arial" , "helvetica" , sans-serif; font-size: 12px;">We have lost a great poet in Geoffrey Hill. -- Mark Oakley</span></div>
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<span style="color: blue; font-family: "helvetica"; font-size: 12px;"><span style="background-color: white; font-family: "san francisco" , , "blinkmacsystemfont" , ".sfnstext-regular" , sans-serif; letter-spacing: -0.23999999463558197px; text-align: left;">He was gifted with an astounding technical knowledge which placed him in a tradition running from Chaucer to Ezra Pound -- Rodrigo Petronio </span></span></div>
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<b>Obituaries</b></div>
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Matt Schudel, Geoffrey Hill, often hailed as Britain's greatest poet, dies at 84, <i>Washington Post</i> (<a href="https://www.washingtonpost.com/entertainment/books/geoffrey-hill-often-hailed-as-britains-greatest-poet-dies-at-84/2016/07/04/9d419778-406b-11e6-80bc-d06711fd2125_story.html" target="_blank">July 4, 2016</a>).</div>
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Matthew Sperling, Geoffrey Hill, An English European, <i>Economist </i>1843 (<a href="https://www.1843magazine.com/culture/the-daily/geoffrey-hill-an-english-european" target="_blank">July 4, 2016</a>).</div>
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Sir Geoffrey Hill, Fiercely intelligent curmudgeon hailed as our greatest but most difficult poet, <i>Times</i> (<a href="http://www.thetimes.co.uk/article/sir-geoffrey-hill-ptwgtkxcp" target="_blank">July 2, 2016)</a>.</div>
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Robert Potts, Sir Geoffrey Hill Obituary, <i>Guardian </i>(<a href="https://www.theguardian.com/books/2016/jul/01/geoffrey-hill-obituary?CMP=share_btn_fb" target="_blank">July 1, 2016</a>). </div>
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Sir Geoffrey Hill, Obituary, <i>Telegraph</i> (<a href="http://www.telegraph.co.uk/obituaries/2016/07/01/sir-geoffrey-hill-obituary/" target="_blank">July 1, 2016</a>).</div>
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William Grimes, Geoffrey Hill, Dense and Allusive British Poet is Dead at 84, <i>New York Times</i> (<a href="http://www.nytimes.com/2016/07/02/books/geoffrey-hill-dense-and-allusive-british-poet-is-dead-at-84.html?smid=fb-share&_r=0" target="_blank">July 1, 2016)</a>.</div>
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Samir Raheem, Geoffrey Hill: 'poetry should be shocking and surprising', <i>Telegraph</i> (<a href="http://www.telegraph.co.uk/books/what-to-read/geoffrey-hill-poetry-should-be-shocking-and-surprising/" target="_blank">July 1, 2016</a>).</div>
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Rodrigo Petronio, Poeta Geoffrey Hill morre aos 84 anos, <i>Estadão</i> (<a href="http://cultura.estadao.com.br/noticias/literatura,poeta-geoffrey-hill-morre-aos-84-anos,10000060496" target="_blank">July 1, 2016</a>).</div>
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Anna Leszkiewicz, Poet Sir Geoffrey Hill dies aged 84, <i>New Statesman</i> (<a href="http://www.newstatesman.com/culture/poetry/2016/07/poet-sir-geoffrey-hill-dies-aged-84" target="_blank">July 1, 2016</a>).</div>
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Poet Sir Geoffrey Hill dies aged 84, <i>BBC News</i> (<a href="http://www.bbc.com/news/entertainment-arts-36682143" target="_blank">July 1, 2016</a>).</div>
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<b>Testimonies, other articles, poems, audio </b></div>
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David Yezzi talks to Curtis Fox, The Achievement of Geoffrey Hill, Poetry off the Shelf at Poetry Foundation, 17 minutes (<a href="http://www.poetryfoundation.org/features/audio/detail/90026" target="_blank">early July 2016</a>).</div>
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Rowan Williams remembers Geoffrey Hill, <i>Guardian</i> (<a href="https://www.theguardian.com/books/booksblog/2016/jul/09/rowan-williams-remembers-geoffrey-hill" target="_blank">July 9, 2016</a>).</div>
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Lauren Jeal, Tributes paid to renowned and popular poet Sir Geoffrey Hill, <i>Bromsgrove Standard </i>(<a href="http://bromsgrovestandard.co.uk/news/tributes-paid-renowned-bromsgrove-poet/" target="_blank">July 9, 2016</a>).</div>
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Rev. Alice Goodman and Robert Potts with Matthew Bannister (on Caroline Ahern, Elie Wiesel, Sir Geoffrey Hill, Lord Mayhew, Michael Cimino), produced by Dianne McGregor, BBC (<a href="http://www.bbc.co.uk/programmes/b07j7nv9#play" target="_blank">July 8, 2016</a>).</div>
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Alan Jenkins reads from "Scenes with Harlequins" by Geoffrey Hill, <i>TLS</i> Voices (<a href="http://www.the-tls.co.uk/tls-voices-july-7/" target="_blank">July 7, 2016</a>).</div>
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Ishion Hutchinson, Funeral Masque: An Elegy for Geoffrey Hill, <i>Literary Hub</i> (<a href="http://lithub.com/funeral-masque-an-elegy-for-geoffrey-hill/" target="_blank">July 7, 2016</a>).</div>
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Oriane Vialo, Décès ce 30 juin de l'un des plus grands poètes anglais, Geoffrey Hill, <i>ActuaLitté</i> (<a href="https://www.actualitte.com/article/monde-edition/deces-ce-30-juin-de-l-un-des-plus-grands-poetes-anglais-geoffrey-hill/65811" target="_blank">July 4, 2016</a>).</div>
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Andrew McNeillie, at Clutag Press (<a href="http://www.clutagpress.com/2016/07/03/geoffrey-hill-1932-2016/" target="_blank">July 3, 2016</a>). </div>
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Tamsin Omond at Top of the World Blog (<a href="https://tamsinomond.wordpress.com/2016/07/03/sod-off-sod-off/" target="_blank">July 3, 2016</a>).</div>
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Geoffrey Hill at <i>3 Quarks Daily</i> (<a href="http://www.3quarksdaily.com/3quarksdaily/2016/07/geoffrey-hill-1932-2016.html" target="_blank">July 3, 2016</a>).</div>
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Liam Guilar, Sir Geoffrey Hill 1932-2016, Liam Guilar's Blog Lady Godiva (<a href="http://ladygodivaandme.blogspot.fr/2016/07/sir-geoffrey-hill-1932-2016.html" target="_blank">July 2, 2016</a>).</div>
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Geoffrey Hill, tributes, <i>Guardian</i> (<a href="https://www.theguardian.com/books/2016/jul/02/geoffrey-hill-tributes-to-a-poet-of-immense-gifts" target="_blank">July 2, 2016</a>).</div>
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Geoffrey Hill, <i>Queen Mobs Teahouse</i> (<a href="http://queenmobs.com/2016/07/geoffrey-hill-1932-2016/" target="_blank">July 2, 2016</a>).</div>
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Cynthia Haven, Book Haven Blog (<a href="http://bookhaven.stanford.edu/2016/07/au-revoir-geoffrey-hill-1932-2016/" target="_blank">July 1, 2016</a>).</div>
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George Simmer, Great War Fiction Blog (<a href="https://greatwarfiction.wordpress.com/2016/07/01/geoffrey-hill-1932-2016/" target="_blank">July 1, 2016</a>).</div>
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Clarissa Aykroyd, The Stone and the Star Blog (<a href="http://thestoneandthestar.blogspot.fr/2016/07/geoffrey-hill-1932-2016.html" target="_blank">July 1, 2016</a>).</div>
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Allison Flood, Geoffrey Hill, 'one of the greatest English Poets', dies aged 84, Guardian (<a href="https://www.theguardian.com/books/2016/jul/01/geoffrey-hill-one-of-the-greatest-english-poets-dies-aged-84" target="_blank">July 1, 2016</a>).</div>
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Robert Potts, Remembering Geoffrey Hill, <i>Times Literary Supplement</i> (<a href="http://www.the-tls.co.uk/articles/public/remembering-geoffrey-hill/" target="_blank">July 1, 2016</a>). </div>
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<b>Other Links, Other Memories</b></div>
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<i>Paris Review</i>, The Art of Poetry 80, Geoffrey Hill (<a href="http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill#.V3aiYRcPlXA.facebook" target="_blank">2000</a>).</div>
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Geoffrey Hill's Ash Wednesday sermon (<a href="http://trinitycollegechapel.com/media/filestore/sermons/HillAshWed2008.pdf" target="_blank">2008</a>).</div>
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Biography of Geoffrey Hill at the Poetry Foundation (<a href="http://www.poetryfoundation.org/poems-and-poets/poets/detail/geoffrey-hill#poet">http://www.poetryfoundation.org/poems-and-poets/poets/detail/geoffrey-hill#poet</a>).</div>
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Adam Tavel on <i>Broken Hierarchies</i>, <i>Rain Taxi</i> (<a href="http://www.raintaxi.com/broken-hierarchies-poems-1952-2012/" target="_blank">July 2016</a>).</div>
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<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-83769308005383958272016-03-31T09:54:00.004+02:002016-04-11T11:04:19.256+02:00Kenneth Haynes on "Geoffrey Hill's Error"<div style="color: #222222; font-family: arial, sans-serif; font-size: 13px;">
This coming Tuesday, Kenneth Haynes will be speaking at the Sorbonne in Paris. </div>
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Chères collègues, chers collègues,</div>
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<span style="font-family: "helvetica"; font-size: 12px; line-height: normal;">L'EA 4085 VALE (Paris-Sorbonne) va accueillir <b>Kenneth Haynes</b>, Professeur à Brown University et spécialiste de Geoffrey Hill, <b> </b></span><span style="font-size: 12px;">pour une conférence intitulée</span> "Geoffrey Hill's Error",<span style="font-family: "helvetica"; font-size: 12px; line-height: normal;"> </span><span style="font-size: 12px;">le</span><span style="font-size: 12px;"> </span><span style="font-size: 12px;"><b>mardi 5 avril </b></span><span style="font-family: "helvetica"; font-size: 12px; line-height: normal;"><b>à 17h30</b> à</span><span style="font-size: 12px;"><span style="font-size: small;"><span style="font-family: "helvetica"; font-size: 12px; line-height: normal;"> la </span></span><span style="font-size: small;"><span style="font-family: "arial"; font-size: 13px; line-height: normal;">Bibliothèque Louis Bonnerot de l'UFR d'Etudes anglophones (en Sorbonne, escalier G, 2ème étage).</span></span></span></div>
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<span style="font-size: 12px;"><span style="font-size: small;"><span style="font-family: "arial"; font-size: 13px; line-height: normal;">En raison du plan Vigipirate, l'entrée se fait par le 17 rue de la Sorbonne (cour d'honneur).</span></span></span></div>
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<span style="font-size: 12px;"><span style="font-size: small;"><span style="font-family: "arial"; font-size: 13px; line-height: normal;">Nous espérons vous voir nombreux !</span></span></span></div>
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<span style="font-size: 12px;"><span style="font-size: small;"><span style="font-family: "arial"; font-size: 13px; line-height: normal;">Pascal Aquien, Elisabeth Angel-Perez, Françoise Sammarcelli, Marie-Céline Daniel</span></span></span></div>
JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-51915069003540373162016-03-24T07:40:00.000+01:002016-04-06T10:29:42.419+02:00In Praise of Charles WilliamsSir Geoffrey Hill's review of Grevel Lindop's study of Williams is critical of the subtitle of the book, yet gives Lindop credit for writing a full biography, taking into account the material conditions of Williams's childhood and adulthood.<br />
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Along the way, reading this review one learns of the beneficial influence of editor Anne Ridler on "Williams's later poetry." For Hill, the "spiritual shocker" novels by Williams are still worth the read. And he particularly recommends Williams's critical works, <i>The English Poetic Mind</i> (1932) and <i>Reason and Beauty in the Poetic Mind</i> (1933).<br />
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Williams is "powerful and weird in essential ways." Find out more:<br />
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Geoffrey Hill, "Charles Williams: mightier and darker" <i>TLS</i> (<a href="http://www.the-tls.co.uk/tls/public/article1681105.ece" target="_blank">23 March 2016</a>).<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWcxnZBNwMnxxFxT1yfo0qnGVtlDQdZsW6KeQKqi79VFM35XSASRJ4F4QxK9oe-nBNpymy8rgG29hGSLvkTvILpVU8Dzw190HoGiRO5Es8y0yB5qr2o-53XoTqyTEnUqbaZUlhdKLYNA5h/s1600/WilliamsTLS.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWcxnZBNwMnxxFxT1yfo0qnGVtlDQdZsW6KeQKqi79VFM35XSASRJ4F4QxK9oe-nBNpymy8rgG29hGSLvkTvILpVU8Dzw190HoGiRO5Es8y0yB5qr2o-53XoTqyTEnUqbaZUlhdKLYNA5h/s320/WilliamsTLS.jpg" width="251" /></a>JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-77218779114852995672016-01-25T09:59:00.000+01:002016-01-25T10:37:53.051+01:00"I have a book of rap"This is a wonderful reading, which I have just discovered today, and makes an excellent introduction for newcomers to Hill's poetry. Go to it students!<br />
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JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-34808909285386727132015-03-17T14:05:00.002+01:002015-03-17T14:13:37.555+01:00Move over St. Patrick, the GLP is here<div class="separator" style="clear: both; text-align: center;">
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No doubt it has escaped no-one that today is St. Patrick's day. The Chicago River was green this weekend, and around the world Irish-inspired events are taking place, with or without leprechauns. Maybe that's why the timing on this piece by Matthew Sperling couldn't be better, that is, if you assume that there's some kind of relationship between the GLP and Sir Geoffrey Hill. Check this blarney out:</div>
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<a href="http://www.3ammagazine.com/3am/greatest-living-poet/" target="_blank">Matthew Sperling, "Greatest Living Poet," <i>3:AM Magazine</i>, (March 16, 2015).</a></div>
<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-52159794887141140892015-03-06T06:37:00.003+01:002016-04-06T10:38:45.334+02:00Under Construction No doubt it is time for an update to this page. While a major overhaul is being considered, please enjoy these few tidbits.<br />
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By Sir Geoffrey Hill<br />
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<a href="http://trinitycollegechapel.com/media/filestore/sermons/HillAshWed2008.pdf" target="_blank">Trinity Sermon Ash Wednesday (2008)</a><br />
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<a href="http://tannerlectures.utah.edu/_documents/a-to-z/h/Hill_01.pdf" target="_blank">The Tanner Lectures (2000)</a><br />
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Interviews<br />
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<a href="http://www.oxonianreview.org/wp/geoffrey-hill/" target="_blank">Strongholds of the Imagination (2009)</a><br />
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<a href="https://www.youtube.com/watch?v=jg7Jc-45I_w" target="_blank">Interview with Peter McDonald on Yeats (part 7, 2012)</a><br />
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From the critics of his work:<br />
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<a href="http://poetry-contingency.uwaterloo.ca/muti-lation-at-the-end-of-the-line/" target="_blank">Muti-lation at the End of the Line (2015)</a><br />
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<a href="http://www.mod-langs.ox.ac.uk/files/docs/russian/Kahn%20and%20Haynes%20Essays%20in%20Criticism-2013-51-80.pdf" target="_blank">'Difficult Friend': Geoffrey Hill and Osip Mandelstam (2013)</a><br />
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<a href="http://www.awpreview.univ-paris-diderot.fr/IMG/pdf/rv_4_birkan_hill_clavics_2012.pdf" target="_blank">An Emblem of some consequence: <i>Clavics</i> (2013)</a><br />
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<a href="http://www.towerpoetry.org.uk/images/stories/Reviews/Hill_Clavics_and_Odi_Barbard_McDonald_June_2012.pdf" target="_blank">Clavics and Odi Barbare (2012)</a><br />
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<a href="https://www.msu.edu/~johnsen/resume/hill.pdf" target="_blank">Geoffrey Hill, René Girard, and the Logic of Sacrifice (2012)</a><br />
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<a href="http://www.peterpopham.co.uk/wp-content/uploads/2012/12/Sir-Geoffrey-Hill-New-Statesman-7-Dec-12.pdf" target="_blank">Think of England (2012)</a><br />
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<a href="http://www.peterlang.com/download/extract/54542/extract_430185.pdf" target="_blank">Geoffrey Hill and His Contexts (2011)</a><br />
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<a href="http://sillagescritiques.revues.org/2269" target="_blank">La Poésie de Geoffrey Hill et ses sources juives : Les degrés de l'écart (2011)</a><br />
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<a href="http://www.forumjournal.org/article/view/663/945" target="_blank">The Burden of Authentic Expression in the Later Poetry of Geoffrey Hill (2011)</a><br />
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<a href="http://cal.sagepub.com/content/60/3/405.full.pdf+html" target="_blank">Hearts of Stone, Feet of Clay (2011)</a><br />
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<a href="http://www.connotations.uni-tuebingen.de/patke02023.htm" target="_blank">Ambiguity and Ethics: Fiction and Governance in Geoffrey Hill's Mercian Hymns (2011)</a><br />
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<a href="http://ndreview.nd.edu/assets/47784/hooker_review.pdf" target="_blank">Otherland (2010)</a><br />
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<a href="https://www2.le.ac.uk/offices/english-association/publications/peer-english/3/peer%20english%208%20CORRECTED.pdf" target="_blank">Civil Voices: On Reading Geoffrey Hill Reading (2007?)</a><br />
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<a href="http://etd.lib.umt.edu/theses/available/etd-05292009-093331/unrestricted/Bartch_Michael_Thesis.pdf" target="_blank">Reinvention in the Line of Death (2007)</a><br />
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<a href="http://ru.ffyl.unam.mx:8080/jspui/bitstream/10391/1280/1/07_ALM_15_2009_2010_Murgia_95-102.pdf" target="_blank">Epanalepsis. Sobre The Triumph of Love de Geoffrey Hill (2002?)</a><br />
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<a href="http://epub.ub.uni-muenchen.de/5474/1/5474.pdf" target="_blank">A Mercia of the Mind (1992)</a><br />
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<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-3677889039936571312014-05-09T12:21:00.004+02:002014-05-09T12:37:07.827+02:00Charles Péguy next weekFor those interested in Charles Péguy, this centenary year is particularly rich with events, and this coming week condenses a very high number of conferences and talks about Péguy including:<br />
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<b>La pensée de Péguy, 1914-2014</b>, a conference held at Ecole Normale Supérieure and Institut Catholique de Paris (<a href="http://www.ens.fr/actualites/agenda/article/pensee-de-peguy-1914-2014?lang=en" target="_blank">14-15 May</a>)<br />
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Péguy is the featured writer at Saint Rémy la Calonne's annual event, <b>Le Printemps du Grand Meaulnes</b> (<a href="http://www.lorraineaucoeur.com/evt-12892/le-printemps-du-grand-meaulnes-en-meuse/meuse-saint-remy-la-calonne/festival#" target="_blank">16-18 May</a>)<br />
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Péguy will also be spoken about at the <b>Salon des écrivains croyants</b> in Paris, Mairie du 6e arrondissement (<a href="http://www.actualitte.com/salons/les-ecrivains-croyants-tiennent-salon-le-17-mai-2014-49815.htm" target="_blank">May 17</a>).<br />
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For those who want to follow the calendar of events provided by the Péguy Association <b>l'Amitié Charles Péguy</b>, please join the association (it's a non-profit dedicated to keeping the memory of Péguy alive, at a mere 10 euro fee per year, to which you should add another 40 euros for the quarterly review about Péguy). ACP maintains a website where you can get more information about Péguy (in French).<br />
<a href="http://www.charlespeguy.fr/">http://www.charlespeguy.fr</a><br />
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Those interested in Sir Geoffrey Hill's <b><i>The Mystery of the Charity of Charles Péguy</i></b> may wish to visit the Facebook page of the association, as featured here:<br />
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<a href="https://www.facebook.com/AssociationAmitieCharlesPeguy/posts/529784747100121">Post</a> by <a href="https://www.facebook.com/AssociationAmitieCharlesPeguy">Amitié Charles Péguy</a>.</div>
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<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-15635285717621603382014-01-11T07:35:00.001+01:002014-01-14T19:44:32.352+01:00Murphy's Hill = integrity<div style="text-align: justify;">
Well, at last Kenneth Haynes has been mentioned with some admiration for having tackled the task of getting Hill's twenty-one volumes together for us, the consuming readers. Hayden Murphy's review of <i>Broken Hierarchies</i> in today's <i>Scotland Herald</i> reveals a bit about the company he keeps with Dominicans and Jesuits. That must be good training for writing a fair-handed and subtle review.</div>
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Since the reviewer has been reading Hill's poetry since the 1960s, it can be assumed that he has had time enough to digest the material, though for him like the rest of us, coming to an assured space of complete comprehension of the Daybooks is not something humanly possible after only one reading. And thinking about the limits of our meager human intelligence—compared to the omniscience, omnipotence, omnipresence, and immutability found among the theologian's list of God's traits—reminds me of Saul Bellow's description of how happy God would be to sit down incognito and relax at a café in France. This anthropomorphism has often entertained me: with such a list to cope with, why wouldn't God be tired and want a coffee or a drink? With further joy, I rather imagine God's lingering in the café—ordering a second drink—while reading the Daybooks. I bet <i>She</i> would understand everything on a first reading!</div>
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I shall look forward to reading a bit more of Mr. Murphy.</div>
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Hayden Murphy, "Geoffrey Hill: Broken Hierarchies - Poems 1952-2012 (OUP)," <i>Scotland Herald </i>(<a href="http://www.heraldscotland.com/books-poetry/reviews/geoffrey-hill-broken-hierarchies-poems-1952-2012-oup.23102321" target="_blank">January 11, 2014</a>).</div>
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<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-311830338492092912013-12-14T12:22:00.000+01:002013-12-15T06:26:33.224+01:00Rahim's Hill = expressivenessThe interview with Sir Geoffrey Hill in today's <i>Telegraph</i>, by Sameer Rahim, the deputy literary editor of the journal, is excellent; and the photos by Clara Molden are as grand as the text itself. Hill claims he is after "expressiveness" in poetry.<br />
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Sameer Rahim, "Geoffrey Hill: Poetry should be shocking and surprising," <i>Telegraph</i> (<a href="http://www.telegraph.co.uk/culture/books/authorinterviews/10511334/Geoffrey-Hill-poetry-should-be-shocking-and-surprising.html" target="_blank">December 14, 2013</a>).JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-36179900775674175422013-12-13T12:38:00.001+01:002013-12-13T12:44:09.757+01:00Climate / is now dynamite.Here's one illustration for this line from <i>Broken Hierarchies</i>:<br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/_EWOrZQ3L-c" width="440"></iframe>JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-20964323713215740622013-12-08T21:52:00.000+01:002014-02-16T11:52:35.878+01:00Collection of Reviews and Comments for Broken HierarchiesThis post will grow as new reviews are discovered. <br />
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Colin Burrow, "Rancorous Old Sod," <i>London Review of Books</i> 36:4 (<a href="http://www.lrb.co.uk/v36/n04/colin-burrow/rancorous-old-sod" target="_blank">February 20, 2014</a>).<br />
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<span style="text-align: justify;">Hayden Murphy, "Geoffrey Hill: Broken Hierarchies - Poems 1952-2012 (OUP)," </span><i style="text-align: justify;">Scotland Herald </i><span style="text-align: justify;">(</span><a href="http://www.heraldscotland.com/books-poetry/reviews/geoffrey-hill-broken-hierarchies-poems-1952-2012-oup.23102321" style="text-align: justify;" target="_blank">January 11, 2014</a><span style="text-align: justify;">).</span><br />
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<span style="text-align: justify;">Nicholas Lezard, "Broken Hierarchies: Poems 1952-2012 by Geoffrey Hill—review," <i>Guardian</i> (<a href="http://www.theguardian.com/books/2013/nov/20/broken-hierarchies-poems-geoffrey-hill-review" target="_blank">November 20, 2013</a>).</span><br />
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Jeremy Noël Tod, "A vast volume offers the chance to assess one of poetry's greats" in<i> The Sunday Times</i> (<a href="http://www.thesundaytimes.co.uk/sto/culture/books/fiction/article1348327.ece" target="_blank">November 8, 2013</a>).<br />
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David-Antoine Williams, "Broken Hierarchies: Precursor to a Variorum?" (<a href="http://poetry-contingency.uwaterloo.ca/broken-hierarchies-precusor-to-a-variorum/#comments" target="_blank">November 6, 2013</a>).JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-79526595533955147242013-12-07T07:45:00.001+01:002013-12-07T22:39:02.018+01:00Mr. Bojangles, dance!<div style="font-family: Helvetica; font-size: 11px;">
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0px;">Wouldn’t it be great if authors would write a review of their own works that took up the leading points, highlighting the original accomplishment, and guiding the confused reader a bit into the work itself? Readers of modernist texts in particular might find this kind of exercise helpful. Charles Péguy did just that, under a pseudonym, for his late long poem <i>Eve</i>. There were several reasons for this. Speakers of French will notice that it is a language that contains the phrase "<i>Moi, je…</i>." But rather than being taken up with himself, Péguy was anticipating the kind of reception his work was likely to get, and wanted to avoid misinterpretation. He must have been worried about being overly admired by the very people he found himself more inclined to be writing against. One hundred years ago, in 1913, Péguy was writing with a driven urgency.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Geoffrey Hill’s <i>Broken Hierarchies</i> arrived in my mailbox yesterday. I think the notion of driven urgency might also do well to describe it. It is Hill’s own "<i>boutique des cahiers</i>" of sorts, containing sixty years of poetic composition. In the revised, much longer "Hymns to Our Lady of Chartres" I read: </span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Things are desperate here as I believe</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>you know, Lady. The poor in heart possess</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>three fewer skins; subsist on swallowed glass;</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Commedia constrained to no reprieve. <span class="Apple-tab-span" style="white-space: pre;"> </span>(165)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">Seasoned and un-seasoned readers of Sir Geoffrey Hill will find much to be excited about in the word-play and resonance in this volume, especially in the most recent poems. For the nursery-rhyme crowd or those that enjoy Stevie Smith:</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Mind drift. Mend craft. Deemed folly. Shamed. Daft. (606)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">Tony Harrison fans may be intrigued: </span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>You should all fuck less</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>and pray more. Climate </span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>is now dynamite. (618)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">For those who prefer Colin Firth, there is:</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>The old King’s speech favoured our new wireless— (634)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">For capitalism-bashers:</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Out-of-sync Dollarton on the north shore. (639)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">For Benjamin Britten fans:</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Buoyed by the storm music from <i>Peter Grimes</i> (641)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">For those who favor iambic pentameter combined with social justice (see the context):</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Still I would check my name if I were you. (650)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">Then there’s a bit of Auden-bashing (but I think in jest):</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Very strange man, Auden, very strange man. (659)</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">Oh, and by the way, with the 100-year anniversary of the great massacre of World War I on the horizon, those looking for allusions to that war will not be disappointed. This is true especially in several poems published here for the first time. To some extent the volume commemorates the poet’s luck at having a father—at having the luck of being fathered, and those circumstances that saved the poet’s father from the Somme.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;">Singing its beatitudes is perhaps a rather pitiful attempt at a first encounter with the book, and (so far) I’ve only given it about three hours. But then, reviewers and mere bloggers can be comforted from the outset as to the company they keep, when one reads: "Small steadfast throng / go get it wrong"(608). Of course it will take a bit more time to "come 'round right" as in the Shaker Song, but this I have already understood: If Péguy was a "footslogger of genius" (144), Hill is the "jumping boy"(487) that never stopped tap dancing. "He talked of life," as Jerry Jeff Walker sang in 1968. But these words should be heard with the voice of Nina Simone: </span></div>
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<span style="font-family: Georgia, Times New Roman, serif; letter-spacing: 0.0px;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Mr. Bojangles, Mr. Bojangles, Mr. Bojangles, dance. </span></div>
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JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-13361508710546062142013-11-24T10:47:00.000+01:002013-11-24T10:52:02.457+01:00Impatience is a virtue<div class="separator" style="clear: both; text-align: center;">
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<i>Broken Hierarchies: Poems 1952-2012</i> is out now, or almost. A survey of Amazon in France and UK as well as the OUP on-line this morning shows that it "is not yet available". . . . but there is already a review by Nicholas Lezard in the<i> Guardian</i> (<a href="http://www.theguardian.com/books/2013/nov/20/broken-hierarchies-poems-geoffrey-hill-review" target="_blank">November 20, 2013</a>). It's not that what is said in this review is off, but it's perhaps a bit curious that there are no page numbers? Nonetheless, before entering into any argument with the venerable reviewer, I shall endeavor to read the book itself.<br />
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The impatience to lay hands on a copy grows with the mounting buzz. One site indicates the publication date is November 28. That means we'll all be waiting at least four more days before it ships.<br />
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Poetry Foundation, Chicago (<a href="http://www.poetryfoundation.org/harriet/2013/11/geoffrey-hills-broken-hierarchies-poems-1952-2012-reviewed-at-the-guardian/" target="_blank">November 20, 2013</a>).JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-26428605717383497732013-11-04T08:27:00.001+01:002013-11-04T08:28:09.221+01:00Poetry Lecture, December 3The next Oxford Professor of Poetry Lecture will be Tuesday, December 3, 2013 at 5:30 pm in the South School of the Examination Schools. Sir Geoffrey Hill will speak on "Poetry and 'the Democracy of the Dead'".<br />
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Links:<br />
Podcasts: <a href="http://www.english.ox.ac.uk/news-events/regular-events/professor-poetry">http://www.english.ox.ac.uk/news-events/regular-events/professor-poetry</a><br />
<a href="http://www.english.ox.ac.uk/news-events/upcoming-events/201312/professor-poetry-lecture">http://www.english.ox.ac.uk/news-events/upcoming-events/201312/professor-poetry-lecture</a><br />
<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-20356270380039819742013-09-13T10:01:00.001+02:002013-09-13T10:06:08.943+02:00Sir Geoffrey Hill at Villeroy, September 8, 2013On the 99th anniversary of Péguy's death, commemorated by the Amitié Charles Péguy at Villeroy on the Sunday that follows September 5th, Sir Geoffrey Hill met several descendants of the poet and read from <i>The Mystery of the Charity of Charles Péguy</i>. <br />
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The five stanzas are from the tenth section of the poem that was first published thirty years ago this year. Next to Sir Geoffrey Hill is Michel Péguy, Péguy's grandson. On the other side, with the microphone, is the Mayor of Villeroy. This video was produced by Olivier Péguy, Péguy's great-grandson. Sir Geoffrey Hill was voted an honorary member of Amitié Charles Péguy earlier this year. More information can be found at the Péguy association's website (<a href="http://www.charlespeguy.fr/">http://www.charlespeguy.fr</a>).JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-7522069401085743792013-08-22T09:28:00.002+02:002013-09-02T16:12:11.848+02:00European Paths and Voices<div class="separator" style="clear: both; text-align: center;">
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Sir Geoffrey Hill will be reading from his work at 6:15 pm. The event is free and open to the public. Catholic University of Paris, 21 rue d'Assas, 75006 Paris, Room B01.</div>
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<span style="letter-spacing: 0.0px;">9:15 Opening words by Pauline Piettre & Ineke Bockting</span></div>
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<span style="letter-spacing: 0.0px;">9:30-10:15</span></div>
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<span style="letter-spacing: 0.0px;"><b>Elizabeth Müller </b>(Nantes/ICP), (Yeats and Dante)</span></div>
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<span style="letter-spacing: 0.0px;">10:15-11:00</span></div>
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<span style="letter-spacing: 0.0px;"><b>Brian Arkins </b>(NUI, Gallway), "The Theme of opposites: Yeats and Oedipus"</span></div>
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<span style="letter-spacing: 0.0px;">Tea & Coffee Break</span></div>
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<span style="letter-spacing: 0.0px;">11:30-12:15</span></div>
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<span style="letter-spacing: 0.0px;"><b>Peter McDonald</b> (Christ Church, Oxford), "Gaiety and Dread: Late Yeats and Hill"</span></div>
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<span style="letter-spacing: 0.0px;">Keynote Address 12:15-13:15</span></div>
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<span style="letter-spacing: 0.0px;"><b>Colbert Kearney</b> (Cork), "September 2013"</span></div>
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<span style="letter-spacing: 0.0px;">Lunch</span></div>
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<span style="letter-spacing: 0.0px;">14:30-15:15</span></div>
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<span style="letter-spacing: 0.0px;"><b>Jennifer Kilgore-Caradec</b> (Caen/ICP), "Yeats, Pound, Eliot, Péguy, Hill"</span></div>
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<span style="letter-spacing: 0.0px;">15:15-16:00</span></div>
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<span style="letter-spacing: 0.0px;"><b>Susan Ang</b> (U. Singapore), 'Poetic conversations': Hill, Pavese, Pindar </span></div>
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<span style="letter-spacing: 0.0px;">Short Break</span></div>
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<span style="letter-spacing: 0.0px;">16:15-17:00</span></div>
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<span style="color: black; letter-spacing: 0.0px;"><b>Peter Behrman de Sinéty</b> (ENS), </span><span style="letter-spacing: 0.0px;">“Nothing broken”: translated Europeans in Geoffrey Hill’s <i>Orchards of Syon</i></span></div>
<div style="font-family: Helvetica; font-size: 12px;">
<span style="letter-spacing: 0.0px;">17:15-18:00</span></div>
<div style="color: #232323; font-family: Helvetica; font-size: 12px;">
<span style="color: black; letter-spacing: 0.0px;"><b>Kenneth Haynes</b> (Brown), "</span><span style="letter-spacing: 0.0px;">European Witness: The German Resistance in the Poetry of Geoffrey Hill"</span></div>
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<span style="letter-spacing: 0.0px;">Short Break</span></div>
<div style="font-family: Helvetica; font-size: 12px;">
<span style="letter-spacing: 0.0px;">18:15-19:15</span></div>
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<span style="letter-spacing: 0.0px;"><b>Sir Geoffrey Hill </b>(Oxford Professor of Poetry) reads from his work</span></div>
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<span style="letter-spacing: 0.0px;"><br /></span></div>
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<br />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-35904620110049645492013-08-17T09:18:00.000+02:002013-08-22T21:03:29.570+02:00Two recent books<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibIsIAaQaRcdeUnvfo6nv6gh-_e4eYkS4HNac5lxTTtKWY3IV3fJicXGASdqgrj1BY7tpDn1oZ6xz5E0Wq6BtdbNDHsYc_2NnPuKJm3GbQfwgHhliJ6dOZNuiW2fON9Cy4RUIj7XkXTlqF/s1600/9781443841245.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibIsIAaQaRcdeUnvfo6nv6gh-_e4eYkS4HNac5lxTTtKWY3IV3fJicXGASdqgrj1BY7tpDn1oZ6xz5E0Wq6BtdbNDHsYc_2NnPuKJm3GbQfwgHhliJ6dOZNuiW2fON9Cy4RUIj7XkXTlqF/s320/9781443841245.jpg" width="228" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH0lk89PXcEnDjkByWBacEr3rCs4nXK6KP_H9uRx5N_FjsKh2on6ipbXcUA1qZZ1_UsL86m8QkZDFvgzn86Y_PSBFgODGsxfkI-jjSRpOmwttlXTKxmtzakwBPAyPjC4oliz-33UdLUvdx/s1600/431424_cover_front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH0lk89PXcEnDjkByWBacEr3rCs4nXK6KP_H9uRx5N_FjsKh2on6ipbXcUA1qZZ1_UsL86m8QkZDFvgzn86Y_PSBFgODGsxfkI-jjSRpOmwttlXTKxmtzakwBPAyPjC4oliz-33UdLUvdx/s320/431424_cover_front.jpg" width="220" /></a></div>
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Several essays about Hill's recent poetry can be found in <i>Selected Poems from Modernism to Now</i> (<a href="http://www.c-s-p.org/flyers/978-1-4438-4124-5-sample.pdf" target="_blank">CSP, 2012</a>) and in <i>Poetry & Religion: Figures of the Sacred</i> (<a href="http://www.peterlang.com/download/toc/75201/toc_431424.pdf" target="_blank">Lang, 2013</a>). The editors wish you a pleasant read.<br />
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By the way, <i>La poésie de Geoffrey Hill et la Modernité</i> (<a href="http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&no=24978" target="_blank">L'Harmattan, 2007</a>) can be downloaded as an electronic text.JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-82186232529909703362012-11-26T18:08:00.000+01:002012-11-26T18:25:45.735+01:00"Fields of Force"Sorry for such short notice, but tomorrow, Tuesday, November 27, 2012, Sir Geoffrey Hill will be giving his first lecture for 2012-13 at Oxford, in the Examination Schools, at 5:30 p.m.<br />
"Fields of Force" is the title of the lecture.<br />
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<a href="http://www.english.ox.ac.uk/news-events/upcoming-events/201211/professor-poetry-lecture">http://www.english.ox.ac.uk/news-events/upcoming-events/201211/professor-poetry-lecture</a><br />
<br />
For podcasts of previous lectures:<br />
<a href="http://www.english.ox.ac.uk/news-events/regular-events/professor-poetry">http://www.english.ox.ac.uk/news-events/regular-events/professor-poetry</a>JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-31698416134068705772012-09-12T07:14:00.000+02:002012-09-12T07:14:08.361+02:00Sir GH & his BooksBrown University's Hay Library is hosting an exhibit on Hill's books until October 1. Organized by Kenneth Haynes (editor of Hill's <i>Collected Critical Essays</i> 2008), it displays first editions of Hill's published books of poetry as well as books that influenced the work.<br />
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Links<br />
Brown University Library News Blog, (<a href="http://blogs.brown.edu/libnews/new-exhibit-on-view-geoffrey-hill-and-his-books">http://blogs.brown.edu/libnews/new-exhibit-on-view-geoffrey-hill-and-his-books</a>).JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-33518395262522432502012-03-31T07:35:00.002+02:002012-03-31T07:35:48.270+02:00Hill & French PoetsGeoffrey Hill will speak at the Ecole Normal Supérieur in Paris, 45 rue d'Ulm, on Friday April 13, at 4 p.m. about French poets who have influenced his work.<br />
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<img align="left" alt="" height="425" src="http://www.ens.fr/IMG/image/actus/2012/agenda/avril/affiche%20Hill%20avril%202012.jpg" width="300" />JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-81789478288906324552012-03-20T06:40:00.002+01:002012-03-20T06:40:54.287+01:00Hearing Sir Hill's Oxford LecturesWho knows how long this link is going to work, but for now it seems the most efficient for hearing Sir Hill's Oxford Lectures of Poetry.<br />
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<a href="http://www.english.ox.ac.uk/news-events/regular-events/professor-poetry">http://www.english.ox.ac.uk/news-events/regular-events/professor-poetry</a>JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.comtag:blogger.com,1999:blog-820218744096170546.post-78810771621366987542012-02-03T10:19:00.001+01:002012-02-03T10:19:44.407+01:00In honor of René GalletRené Gallet, a gifted translator of Geoffrey Hill's poems into French, died on Sunday, aged 67. His family and his colleagues, his friends, and the many people whose lives he touched in a generous way are in mourning. His wife requested that the following poem be read at his Requiem Mass.<br />
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<span style="font-family: Verdana; line-height: 115%;">Geoffrey Hill<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">En hommage
amical à René Gallet.<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Teint de mort comme le sang imbibe le sable,<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Sali de notre fécondité le monde<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Se trouve empêtré dans la colère de Caïn<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Le serpent de l’arbre depuis longtemps à terre<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Toi, nouveau-surgi à travers la toile cosmique<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">De vérité et fable vers un règne symbolique ;<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Les mauvaises conceptions nous assignons à nous-mêmes<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Interminablement ainsi, le Bouc, le Crabe —<o:p></o:p></span></div>
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<span style="color: #262626; font-family: Verdana;">Jurant je dis : jamais si trahi,<o:p></o:p></span></div>
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<div align="right" class="MsoNormal" style="mso-line-height-alt: 1.0pt; text-align: right;">
<span style="font-family: Verdana;">(Translation J. Kilgore-Caradec)</span></div>
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<span class="Apple-style-span" style="line-height: 27px;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">For the complete text of this poem: <a href="http://lisa.revues.org/68?lang=fr" target="_blank"><i>La Revue Lisa / LISA e-journal</i> VII.3 (2009), <i>Festschrift René Gallet</i></a>.</span><span class="Apple-style-span" style="font-family: Verdana; font-size: large;"> </span></span></div>
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<!--EndFragment-->JKChttp://www.blogger.com/profile/02990069498983330643noreply@blogger.com